Nobody talks about the strange happenings in Maimsbury. No one speaks of the hooded figures glimpsed in the woods, nor the children’s game that went so horribly wrong. But most of all, nobody dares whisper their doubts about the river they have worshipped for centuries.
Like everyone in Maimsbury, Gorse is used to the sacrifices made every spring to the River Yeelde. The life of a farm animal – in return for a year of plenty – seems a fair trade. That is, until a tragedy leads Gorse to a blood-curdling discovery.
Because this year is a Brim Year, and after giving so much, the river needs more than an animal’s life to sate its thirst…
Pushkin Press

This was actually the first book by Darren Simpson I’ve read, though I’m not sure why because I’ve seen lots of praise on social media from teachers and librarians for him on social media. I think he might be one of those authors I avoided because where others rave I’m often ‘meh’…but I was certainly biting my nose off to spite my face because, when I sat down to read this, I was hooked from the first page and had to finish it the same day. It raises some big thoughts about whether it can be justifiable to do a bad thing, how decisions affect more than just your own loved ones, and having the courage to say no. All wrapped up in a wonderfully gruesome folklore-ish tale set in the vividly imagined world of a small village.
I asked Darren a few questions:
You write dark but hopeful stories. Do you start with a theme or the world or a character…or something else?
Each book seems to have started with a different thing. Scavengers was inspired by the sight of cats scrapping over a sandwich at a recycling centre, which got me thinking about animals and humans living on landfill. The Memory Thieves was driven by the desire – prompted by the time I crashed my car and went through a rough patch – to encourage emotional openness in young people. In contrast, Furthermoor evolved from the conundrum of how to use a vivid, fantastical setting in an urban, realist story. And my latest book, Thirst, came from an itch to write horror (leaning into that darkness, I guess), and from a growing appreciation of folklore and the part it still plays in our lives today.
As you can see, I have worryingly little control over where my inspiration comes from. But one thing I do have is the instinct to spot it, grab it and see where it takes me.
Without spoilers, are there any bits that you thought might be too scary or that editors asked you to tone down?
There are a couple of scenes I thought I’d have to tone down or take out altogether. But it turned out I didn’t have to do any of that.
As much as Thirst has its grisly moments, they’re never excessive or gratuitous. There’s one scene in particular I thought I’d never get away with in young fiction. But my editor, Sarah Odedina of Pushkin Press, didn’t bat an eyelid. When I quizzed her over this, she said the scene plays a powerful part in saying a lot about a certain antagonist. And as much as the scene is heartbreaking, its events are implied rather than described.
So again, I don’t feel Thirst is gratuitous. Any nastiness in it serves a purpose, not only in saying something, propelling the story or stirring readers’ emotions, but also in delivering within the horror genre. I love horror stories, and would feel let down if I read one that didn’t at some point leave me a little shaken or disturbed. That’s all part of the thrill, isn’t it? That’s why we watch horror movies, ride rollercoasters and tell spooky stories around the campfire.
What kind of author event do you enjoy doing most?
As much as I love giving author presentations, it’s usually creative workshops that give me the biggest buzz. It’s always a joy to watch students warm to a creative task and come up with such brilliant, original, funny things. My workshops focus more on teamwork, imagination and invention than on producing written work, and the freedom of expression that this allows pupils tends to nurture a relaxed, open, even gleeful atmosphere. Encouraging young people to see how much fun inventing and writing can be is the most rewarding thing, and their engagement always leaves me feeling inspired – even though the inspiring is supposed to be my job!
What are you reading and who would you recommend it to?
I’m currently reading Hyperion by Dan Simmons. It’s epic, ultra-ambitious sci-fi and it’s blowing my mind. A perfect mix of literary goodness and downright entertainment. I’d recommend it to anyone who likes their sci-fi lofty, eclectic and original. It’s very adult in places, though. In terms of books for younger readers that I’ve recently enjoyed, The Twelve by Liz Hyder, Greta by Manon Steffan Ros and The Worlds We Leave Behind by A.F. Harrold and Levi Pinfold all come to mind. I’d recommend each of them heartily.
What will we see from you next?
I’m working on something quite special – and very different – with illustrator Keith Robinson. We’ve been chipping away at this project for a couple of years now, and it’s going to be so exciting to finally see it become a reality next year, thanks to Puskin Press. I can’t say too much just yet, but it’s going to be eerie, poignant, and more than a little bold. I can’t wait for folk to see it.
Thirst is published this week by Pushkin Press. Thank you to Vicki Berwick for organising a review copy and the Q&A.