Category Archives: Bame

Timelines from Black History

Erased. Ignored. Hidden. Lost. Underappreciated. No longer. Delve into the unique, inspiring, and world-changing history of Black people.

From Frederick Douglass to Oprah Winfrey, and the achievements of ancient African kingdoms to those of the US Civil Rights Movement, Timelines From Black History: Leaders, Legends, Legacies takes kids on an exceptional journey from prehistory to modern times.

This DK children’s book boasts more than 30 visual timelines, which explore the biographies of the famous and the not-so-famous – from royalty to activists, and writers to scientists, and much, much more. Stunning thematic timelines also explain the development of Black history – from the experiences of black people in the US, to the story of postcolonial Africa.

Did you know that the richest person ever to have lived was a West African? Or that the technology that made the lightbulb possible was developed by African American inventor, and not Thomas Edison? How about the fact that Ethiopia was the only African country to avoid colonization, thanks to the leadership of a brave queen?

Stacked with facts and visually vibrant, Timelines From Black History: Leaders, Legacies, Legends is an unforgettable and accessible hive of information on the people and the issues that have shaped Black history.

DK Books

This year, Mireille Harper was a contributor to the DK Book TIMELINES OF EVERYONE and was sole writer for this collection of TIMELINES FROM BLACK HISTORY. It includes timelines of famous and not-so-famous, historical and present day influential and important people across a range of fields and from all over the globe. In usual DK fashion, it is brilliantly laid out to be visually appealing as well as containing tonnes of interesting information, it is definitely worth having in your libray!

I was given the opportunity to ask Mireille a few questions:

After writing contributions to the ‘Timelines of Everyone’, did ‘Timelines From Black History’ on your own feel daunting
or liberating?

To me, it wasn’t particularly daunting but I knew there was an element of responsibility and I felt I had to really do this book justice, so I was very careful and took my time throughout the process. I think the daunting bit was actually sending the book out into the world! I found writing the contributions empowering – finding out about the lives and histories of those who came before us who changed the world for the better was an experience I feel fortunate to have had.

How did you decide on the timelines to feature?
The process was collaborative in that both DK and I took spreads from previous titles (including content I’d created for Timelines of Everyone) that we though had the most resonance, and the figures that we felt should be celebrated most. I also had the opportunity to share some of my favourite figures for the gallery spread and foreword which was great.

If you could choose one from the book to write more on, which would it be?
I would love to write about Nanny of the Maroons. Nanny, or Queen Nanny as she’s often known, was a leader of the Windward Maroons, a community of formerly enslaved Africans in Jamaica, who fought off the British forces. I talk about Nanny literally every week, just because I think she’s such a hero and she has not received the recognition she deserves. In an ideal world, there’d be international films, books, statues and more dedicated to the legacy of Nanny.

Do you talk to young people about writing?
I talk to lots of young people about writing! I currently mentor three young people who want to work in the creative industries or publishing and I have a network of people within the publishing industry who work alongside me to help young people develop their writing. I’ve been lucky that with the publication of Timelines from Black History, I’ve had many more opportunities to speak to young people.

Do you prefer writing for children or adults?
I like both! Before working on Timelines of Everyone and Timelines from Black History, I had written over 200 articles aimed at adults on everything from travel and lifestyle to arts and culture. Whoever I’m writing for, I just like to know I’m writing about something that I’m passionate about and that matters.

What are you reading at the moment and who would you recommend it to?
I am reading an incredible book called This Book Will Make You Kinder by Henry James Garrett. It’s an incredible book on empathy, kindness and how we can become more empathetic, not only to ourselves and one another, but also the world around us.

Mireille Harper

Thanks so much to Mireille for taking the time to answer some questions, and to DK Books for sending me a review copy of TIMELINES FROM BLACK HISTORY – OUT NOW!

The Story of the Windrush

The story before the scandal. A book to celebrate the inspiring legacy of the Windrush pioneers.

In June 1948, hundreds of Caribbean men, women and children arrived in London on a ship called the HMT Empire Windrush. Although there were already Black people living in Britain at the time, this event marks the beginning of modern Black Britain. Combining historical fact with voices from the Windrush Generation, this book sensitively tells the inspiring story of the Windrush Generation pioneers for younger readers

Scholastic
THE STORY OF THE WINDRUSH

I have had a copy of this book on the shelves of my school library for some time now having bought the self-published version, but this month Scholastic are republishing it with some small changes, and have excitingly commissioned more from the author, Kandace Chimbiri! I asked her some questions to celebrate:

Your previous books for children, through Golden Destiny, were about more distant periods of history, what prompted you to write about the Windrush generation?
Although my previous books for children focused on ancient African history and this one is modern Black British history, they are all motivated by the same desire. I want to share those missing stories and neglected narratives. The arrival of the Empire Windrush in 1948 is such an important event in modern British history and yet when I looked for a nice book for children about it, I couldn’t find one! I had heard Sam King speak about his life at a few events and I was really inspired by him. I also knew something of my parents’ experiences of coming to Britain in the 1960s. I just felt that children growing up today in Britain (and in the Caribbean too) should be able to read about the Windrush generation pioneers. 

How did you begin your research, and choose which of the hundreds of voices from the ship to highlight?
I was fortunate to have a DVD called Windrush Pioneers so I sat down and listened to it again for the first time in about 10 years. It had interesting interviews with Sam King, Allan Wilmot, Peter Dielhenn and several others. I read Allan Wilmott’s biography (I had also heard Allan Wilmott speak a couple of times at events). I asked my parents a few questions, things that I had never asked them before! I just chose the voices which appealed to me.  There was no real thought to it! I loved how Alford Gardner described his journey with people from other Caribbean islands meeting each other.

Have you done much work with children around the book? Since lockdown have you done any virtual events?
I have done a few virtual events during lockdown. For more than ten years I have been giving talks and museum tours around Black history. I’m used to speaking face to face and enjoying in person interaction. I never thought I would get used to virtual doing virtual events but now I love it! I do a 30-min ‘Meet the Author’ session for children aged 8 to 12. I give a short overview about the book, why and how I wrote it, why it’s important followed by time for the children to ask questions.

Did Scholastic suggest any changes to the book before republishing it? How different is it working on a new book with a big publisher?
Scholastic have been brilliant and I am really happy with the way they’ve improved the book.  It’s a completely different experience working with a big publisher and so far I am loving it. As you know I originally self published The Story of the Windrush. That’s hard because you have to make all the decisions yourself about artists, layout, style, everything! And, I’m really pleased with the new edition of the book. Scholastic have kept the same overall look but there are better captions on the illustrations (both the drawings and the photos). They have also tidied up some of the wording to make it even clearer for readers. And I am especially happy with the tweaks to the map of the British Empire. That’s important for educators.

Have you thought about writing historical fiction?
Not really. I just don’t think I’d be very good at writing historical fiction. I’d love the research side of it but I don’t think I’m that good at making up interesting characters and compelling plots. There are lots of children that love factual books and I’m quite happy writing for them.

What are you reading at the moment and who would you recommend it to?
A Member of the RAF of Indeterminate Race. It’s about Cy Grant’s experience during the Second World War when he was shot down over Nazi Germany. He was from Guyana (or British Guiana as it was called then). It’s interesting but also educational.

What can we expect from you next?
My next book is going to be a sort of a prequel to The Story of the Windrush. I’m working on it now and it’s slowly starting to take shape. I still have more research to do though so it could all change of course….and probably will!

Huge thanks to Kandace for answering my questions!

THE STORY OF THE WINDRUSH is published in the UK on 15th October 2020 by Scholastic

Thank You Joseph Coelho

Tatenda says thank you every day, wherever he can. Thank you to Mom and Dad for making breakfast, thank you to the post lady for delivering his favorite comic, thank you to his teacher for marking his work and thank you to the shop worker stacking shelves. But lately, it seems no one can hear his thank yous: their heads are too foggy with worry. So Tatenda decides to say his biggest “Thank you” ever. He stands on tiptoe, brings his arms down like a huge rainbow . . . and this time, his thank you helps the whole community feel better!

Frances Lincoln Books
Thank You, with words by Joseph Coelho and pictures by Sam Usher

THANK YOU is a beautiful book. Joseph was inspired by the Clap for Carers during lockdown and royalties from the book are being donated to Groundwork UK, a federation of charities nationwide “mobilising practical community action on poverty and the environment”. Sam Usher’s illustrations are full of movement and so joyful, really bringing the words to life.

I’ve long loved Joseph Coelho, as a performer and writer, and when Frances Lincoln offered the chance to interview him about THANK YOU I jumped at the chance, while cheekily asking him about other recent titles with other publishers as well – he really is unstoppable at the moment!

The last few years have seen you publish poetry collections, novels, and picture books (as well as plays) for all ages of children and young people! When you have an idea, do you immediately know what you want to do with it or does the form come as you start writing?
What a super question. I don’t know immediately it’s a bit of trial and error, I have found however that if a story is deep enough it can often work for several mediums. Such as my poem If All The World Were Paper which was first published in Werewolf Club Rules but became a starting point for my picture book with Allison Colpoys If All The World Were...

THANK YOU is full of movement. Did you have an idea of how it should be illustrated or did you hand the text to Sam Usher to run with?
All picture books are really a collaboration between writer, illustrator, designer and editor so it’s hugely important that there is space for everyone to express themselves through the book. I am now in the habit of not thinking too much about the visuals, I focus on making sure the text works by itself, that the story is clear with or without illustrations so that the illustrator has scope to really put their mark on the book.

THE GIRL WHO BECAME A TREE, Otter Barry Books, is strikingly illustrated by Kate Milner

What is it about Daphne’s story that inspired you to write THE GIRL WHO BECAME A TREE?
I’ve always been interested in physical transformations as metaphor for internal change. It’s poetry made manifest. So when I came across the greek myth of Daphne it felt like the ideal subject for a story I’d been working on about a girl dealing with the death of her father. As with all the myths there are so many layers and ways to interpret that it felt like  a gift to explore through poetry.

ZOMBIERELLA is deliciously different, first of a 3 part series, but are there other fairy tales you would like to retell?
There are!  Book 2 is based on Rumplestiltskin and is called Frankenstiltskin. I have many ideas in development for many of the other tales some of which get a mention by the Librarian at the start of Zombierella who has discovered a section of the library full of fairytales that have gone bad, so I have a library to fill!

ZOMBIERELLA, Walker Books, is brilliantly illustrated by Freya Hartas

What is your favourite kind of event to do with/for children? How have you found digital events?
I love doing festival events with large audiences, you get a real sense of togetherness and occasion. I thrive off of getting large audiences to interact with each other.  I love the joy that can be generated as students hear their peers from different schools coming up with poetic lines or add to a group poem with people they’ve only just met.
Making everything digital has been interesting, it’s definitely far more time consuming than expected with even a five minute video taking the best part of a day but it is wonderful that we have this technology available to get us through these difficult periods.

Librarians across the country are so grateful for your enormous support, what drives that passion?
Libraries have always featured heavily in my life, from living on estates where I had a library next door, to my first Saturday job, to working at the British library whilst studying at UCL, to touring theatre shows designed to be performed in libraries. I’m immensely grateful to libraries and the services they provide for turning me into a reader and by association a writer. I also sincerely believe that library provision it key to helping communities thrive so it really is an honour to be in a position where I can celebrate these wonderful spaces.

One of my favourite pages from THANK YOU

What are you reading at the moment and who would you recommend it to?
I’m a serial dipper and always have several books on the go at present I’m reading Girl, Woman, Other by Bernadine Evaristo, a book that everyone should read. I’m also reading an anthology of short stories on the theme of the sea published by the British Library called From The Depths and Other Strange Tales Of The Sea Edited by Mike Ashley – Recommended for anyone who likes a shot of creepy adventure. I’m also a big book listener and am currently listening to Children Of Time By Adrian Tchaikovsky for all sci-fi fans who aren’t scared of spiders!

What can we expect from you next?
I have a busy year ahead with book 2 of Fairytales Gone Bad and some more picture books coming out. I’m also working on a brand new middle grade adventure series which is yet to be read by anyone! Eeeek! But I love this period because at the moment it’s just me telling a story to myself or rather hearing characters tell me their story.

Joe Coelho Portraits Hay Festival 2018

Joseph Coelho is an award winning poet and performer from London, although he now lives by the sea. In 2019 he won the Independent Bookshop Week Picture Book Award for If All the World Were. He has been long-listed for The Carnegie Children’s Award with his poetry collection ‘Overheard In A Tower Block’, which was also shortlisted for the CLPE CLiPPA Poetry Award and Longlisted for the UKLA Book Awards. He won the 2015 CLPE CLiPPA Poetry Award with his debut poetry collection Werewolf Club Rules. His debut Picture Book, Luna Loves Library Day was voted one of the nations favourite picture books by a survey led by World Book Day. His other poetry books include How To Write Poems and A Year Of Nature Poems

Moonchild: Voyage of the Lost and Found

Twelve year old Amira has only ever known a life at sea with her sea-witch mothers. So when their ship is wrecked in a great storm, Amira is delighted to have an opportunity to explore land – accompanied by her best friend Namur – a jinn in cat form. Amira soon finds a boy who has a jinn like her, and learns that their spirit companions are connected to the mysterious storm that gets stronger each day.

When Namur goes missing Amira discovers she has to visit a magical place; a place where lost things can be found. But will Amira also discover her own destiny, and find out what it truly means to be a Moonchild?

The Sahar Peninsula is a place that lies just beyond the horizon. If you’ve ever tried to reach the horizon, you’ll realize it isn’t the easiest to get to. No maps will take you there, nor can it be charted by gazing up at the stars, or down at a compass.

If you’re wondering who I am, and why I’m telling you this story, you’ll have to wait for quite some time to find out. It’s a secret, you understand. And I need to know that you’re the right person to keep it.

Are you?

I’m not so sure just yet.

Now that we’ve introduced ourselves, shall we begin?

MOONCHILD
MOONCHILD: VOYAGE OF THE LOST AND FOUND, illustration by Rachael Dean


Illustrated by Rachael Dean

MOONCHILD: VOYAGE OF THE LOST AND FOUND is Aisha Bushby’s second book, and I had high hopes after A POCKETFUL OF STARS was such a uniquely brilliant read (watch her read some of APOS here). It is completely different, but just as satisfying! It is about adventure and science and magic and family and relationships, with a narrator occasionally bringing you out of the action to remind you that every adventure is a story, but that ‘stories never start at the beginning and they never ever finish at the end’. And, my new favourite piece of advice, from Jamila (one of Amira’s mothers), is:

All great adventures begin with a nap.

Amira is well cared for, by her two mothers, who encourage her magic (she can smell emotions) but know that it wouldn’t be looked upon kindly by others. As they spend most of their time at sea it isn’t a problem and Amira is very sheltered, but on visiting a souk while they’re docked for repairs after a storm, she starts to uncover some secrets and mysteries related to where she came from…she also makes a friend, and the developing relationship really builds the characters. The occasional gorgeous black and white illustration (and two stunning double page spreads) highlights the personality of the characters and builds up the tension in the nerve-wracking parts (there are some *very* nerve-wracking parts). The young friends problem solve together and I’m so excited that there are more adventures to come.

After having interviewed Aisha around the launch of her debut, I jumped at the chance to read this new novel and ask her another round of questions!

Before writing these questions I read a Netgalley eProof rather than a physical copy. I prefer to read hardcopy because, unless I really concentrate, I accidentally skim read a screen & miss things! Which prompts me to ask whether you have a format preference when you’re reading?

Both! I like to read on a screen before bed (so I can lie down and have the light off), and a book during the day.

A POCKETFUL OF STARS was a fantasy grounded in reality, whereas this is a completely new world. Did you find that gave you more freedom to tell the story or did it make it trickier to structure it?

A bit of both! On the one hand, in MOONCHILD I was able to bend/rewrite my own rules to solve plot holes, which I couldn’t do so much with STARS. On the other hand, I had to spend a lot more time creating a world (including the rules I had planned to bend) from scratch. But I really enjoyed the challenge!

I love the mix of science & magic, was Leo a scientist as soon as he came to you or did it evolve as you thought about the rules of magic?

My stories change dramatically from draft to draft, so it’s hard to pinpoint the exact moment I made that choice. but I knew I wanted science to frame my magical rules, to keep them in check.

The Stormbird and its influence is based on the second law of ecology: everything must go somewhere. Once I figured this out, it helped the rest of the plot unfold, and inspired a few other details.

Leo was the natural choice for the role of scientist in the group, because Amira’s skills lie in seafaring, and I needed him to bring something to the table, too. I also see the certainty of science as a comfort to him, given his background.

Last time I interviewed you I asked about your planned school visits. Did talking to school children about A POCKETFUL OF STARS alter your approach to your second novel?

I was really nervous when A POCKETFUL OF STARS was released. It’s not exactly a light-hearted read, but speaking to children, and seeing how they related to the book and how deeply they think about things was inspiring.

It gave me the confidence to write about subjects like emotions and mental health for that audience, (albeit from a more adventure-driven perspective) knowing that they’re receptive to it.

Have you done any remote events in recent months or are you crossing your fingers for in-person events again ASAP?

I’ve done a few, and I really enjoy them! As much as I miss in-person events, I don’t plan on attending them unless I know it’s going to be completely safe. But I think we have the opportunity to explore more remote options that provide a greater level of accessibility for everyone involved.

I will always ask: What are you reading at the moment and who would you recommend it to?

I am very lucky to be reading My Life As A Cat by Carlie Sorosiak, which I would recommend to everyone, but especially people who (like me) love cats. Her writing is sublime.

I didn’t know there was more to come, was that your intention when you started to write or did you realise that your characters had more stories to tell as you were writing?

Because the structure is loosely inspired by The Arabian Nights, with short stories and a narrator, it allowed me to explore each character and their desires fully.

I wrote the first book with the intention that it could work as a standalone, but I also imagined other books told from different character perspectives.

Do you know how long a series it will be? Is it taking up all your writing time or have you got other projects you’re thinking about too?

I’m currently editing the second MOONCHILD book… And that’s all I’ll say for now. 😀

I’m always thinking of other projects, but it’s good to have a few sit there and see which end up sticking. That’s actually how MOONCHILD came about – it was a book I wasn’t supposed to write, but one that wouldn’t go away.

Aisha Bushby, the author of MOONCHILD: VOYAGE OF THE LOST AND FOUND

Thank you to Egmont for inviting me to be part of the tour, and to Aisha for answering my questions. This first books is on sale from 6th August 2020, and I’m really looking forward to reading their further adventures soon!

Cinderella is Dead

It’s 200 years since Cinderella found her prince … but the fairytale is over.
Sophia knows the story though, off by heart. Because every girl has to recite it daily, from when she’s tiny until the night she’s sent to the royal ball for choosing. And every girl knows that she has only one chance. For the lives of those not chosen by a man at the ball … are forfeit.
But Sophia doesn’t want to be chosen. She doesn’t want to go to the ball at all. Not when she’s afraid the girl she loves might be chosen too.
Pushed beyond breaking by a society that denies everything she is, Sophia sets out on a journey that will remake her world … into one where SHE gets to choose.

Bloomsbury
cover art by Fernanda Suarez

A thrilling and original twist on the Cinderella story – breaking stereotypes of race, gender and sexuality to create a brand-new YA fairytale and a heroine for our times

The friendships and relationships (both family and romantic) are flawed and interesting, with queer romances and an entirely Black cast. I thought the way that Sophia and Erin each approach their illegal love for one another rang true, with Erin becoming distant and mean to avoid feeling anything that made life difficult, even if it meant an unhappy life, while Sophia simply couldn’t bear that outcome. This society is built around the fairy tale “Happy Ending”, but how much does the version that Sophia and her friends know differ from the actual history of Cinderella and her Prince Charming? Some people believe less than others and only go along with it “because it is the way it is done”, but it is dangerous to obviously disagree with the status quo. Sophia is dreading the life proscribed for her by the story, but things take a turn for the worse and she is forced on the run…only to discover that the lies are even bigger than she thought. The violence encouraged by the patriarchal society is unflinching and she has good reason to fear for their futures! It is difficult to talk about my favourite things without spoilers, but I’ll just say I absolutely loved the way the role of the Fairy Godmother played out.

CINDERELLA IS DEAD is really clever in the way it really brings home to readers that accounts of events are written by the victors, and that doesn’t necessarily mean they were the ‘goodies’ and the losers were the ‘baddies’, by unpicking the history that society uses to impose rules.

I asked the author, Kalynn Bayron, a few questions!

You talk about the legacy of stories and how they shape who we become in your introductory letter for CINDERELLA IS DEAD. What books do you think made the biggest mark on you growing up? I love fairy tales. I had a big book of collected works when I was a kid that had older versions of Snow White, Cinderella, Little Red Riding Hood, etc. As a teenager, I discovered Toni Morrison and Zora Neale Hurston whose work has affected not only my writing but the entirety of my life. I read a lot of Anne Rice as a teenager, too, which is where my love of vampires comes from.

What prompted you to choose to rework the tale of Cinderella over any other fairy tale? Cinderella is a pretty popular tale, it’s highly visible. That’s Cinderella’s castle at Disneyworld, kids dress up as her for Halloween—she’s everywhere. I wanted to retell a story that was instantly recognizable and deconstruct it in a way that centered the kinds of people who are nowhere to be found in the story itself, mainly Black, queer people. So, I wrote this story that explores not only how fairy tales have the power to personally affect who we become, but also allows the reader to see this
fairy tale world through the eyes of a young woman who is actively harmed by the societal norms the fairy tale itself perpetuates. It’s a continuation of the Cinderella story and a kind of reworking of that already established framework that makes it accessible to people like me, while also being wrapped in this dangerous, magical, mystery.

Who was your favourite character to write? I love Sophia and I loved writing her, but Constance was also really fun to write. She’s funny, very smart, and she wears her heart right on her sleeve. She is willing to lay down her life for Sophia almost as soon as they meet, and I think that speaks to the kind of person she is. For her, it’s all or nothing. She’s very intense and I had a so much fun writing her.

The real world parallels of those in power rewriting history to maintain systems of oppression are significant & thought provoking – what would you like YA readers to take away from that? It’s important to ask questions and it’s okay to change your mind. The people in this fictional world and readers in the real world have an opportunity, every day, to do just that. Some people take advantage of the chance to learn and grow and change their behaviors, others do not. Sometimes it feels easier to do the thing that has always been done. Real change requires introspection and a willingness to admit that you were wrong or that something you once believed was wrong. That’s really hard for some people to do, but it’s the only way to start the hard work of unlearning and telling the entire truth when it comes to our history. It’s the only way forward.

With your debut publishing in such unusual times, have you had much of a chance to interact with teen readers or get any feedback? The good thing is that I get a chance to interact with teen readers on my social media all the time. I get emails and DMs from teens who are really looking forward to Cinderella Is Dead and it makes me incredibly happy! I’m writing for teens, so their support is very important to me and I take any opportunity I can to interact with them. So many lives have been lost to COVID-19 and the measures we, as individuals, are taking to keep ourselves and our communities safe continue to be important and necessary. I look forward to the day where I get to meet my teen readers face to face, but for now, keep the emails and messages coming! I really enjoy them!

Do you write to a soundtrack or prefer peace & quiet? I love writing to soundtracks. The Penny Dreadful soundtrack is perfect for creepy, atmospheric writing sessions. The music from The House with the Clock in its Walls is great, too! I also love musical theatre so Sweeney Todd, Hadestown, and Wicked OBC recordings are also great to write to. Video game soundtracks are also great to write to, especially if I’m in a headspace where lyrics are too much of a distraction. Assassin’s Creed 2 and Final Fantasy 7 are my go-to’s.

What are you reading at the moment and who would you recommend it to? I’m always reading a few different books at a time. Right now, it’s A Song Below Water by Bethany C. Morrow, which is a brilliant modern fantasy centering Black girls, one of whom is a Siren. If you love magical creatures in a modern setting, Black Girl Magic, and a powerful story about friendship and family, you’ll love this book. I’m also re-reading Rory Power’s Wilder Girls, and I’d recommend this book to anyone who loves a story that makes you simultaneously excited and terrified to turn the page. The creeping sense of dread she manages to infuse in her work is spellbinding.

The worst question I know, but I’m going to ask it anyway: what are you working on at the moment? I actually love this question! I’m working on lots of things that I can’t really talk about, so I have to get real creative in how I discuss them and it makes me have to think outside the box. I have a book coming out next year. It’s a modern YA fantasy that is equal parts The Secret Garden and Little Shop of Horrors with a sprinkle of Hadestown. I’m also finishing up a draft of a paranormal Middle Grade that is like an age-appropriate-Watchmen(TV) meets Buffy the Vampire Slayer. It has been so much fun to write!

Kalynn Bayron, the author of CINDERELLA IS DEAD

I’m very grateful to Bloomsbury for giving me the opportunity to ask Kalynn a few questions, and to Kalynn for taking the time to give such great answers

I read the book on NetGalley, but it is out in the UK on 6th August!

When Stars are Scattered

Omar and his brother Hassan, two Somali boys, have spent most of their lives in Dadaab, a refugee camp in Kenya. Separated from their mother, they are looked after by a friendly stranger. Life in the camp isn’t always easy and the hunger is constant . . . but Omar devotes everything to taking care of his young brother and pursuing his education.

Faber

This is set to be one of my favourite graphic novels of all time. You will laugh, cry, rage, and cheer many times over the course of the book, a study in empathy, as Omar and Hassan experience the ups and downs of life in a refugee camp with the dream of resettling in America hanging over their heads. It is based on Omar Mohamed’s account of real experiences of growing up, so obviously the relationships are real, but they are brought off the page so beautifully and in so few words, through the skillful work of Victoria Jamieson (brilliantly coloured by Iman Geddy).

Narrated by Omar, we see his perspective of the environment and people, and how it changes when he was feeling hopeful or down. Bad things do happen to them, as well as good things, and Omar talks them through and shares his feelings with the reader. One panel that really struck me was after Omar had been talking to a friend who’s family had been chosen to be resettled, he tries so hard to be positive all the time but can’t help but think “It’s not fair”. He tells us:

…Of course, thinking like this doesn’t do you any good. Somalis even have a word for it. BUFIS. It means the intense longing to be resettled. It’s almost like your mind is already living somewhere else, while your body is stuck in a refugee camp…

We first meet Omar and his brother Hassan once they have already been living in the camp for a long time (have a read of the first chapter in the extract) and the way their journey to the camp is told to us, as it recounted in Omar’s UN interview for potential resettlement, is really powerful. We follow them for years, until Omar is 18, and I was particularly moved by the relationship with Fatuma, how they came to be together, and how Omar realised more and more with age how lucky they all were to have one another.

Enjoy this exclusive extract of WHEN THE STARS ARE SCATTERED

It does have a happy and hopeful ending for Omar and Hassan, but doesn’t let you forget the thousands more people still stuck in the limbo of refugee camps. I think this is essential reading for, well, everyone aged 8+ frankly.

Huge thanks to Faber for sending me a copy for review and inviting me to join the blog tour. WHEN STARS ARE SCATTERD is out in the UK now!

A Parent’s Guide to Black Lives Matter

Yoopies UK the childcare platform, has put together a family-friendly resource guide for parents about the Black Lives Matter movement from a British perspective; with contributions from both white and BAME writers.

This guide shares resources (films, podcasts, books etc), advice, and tips to ensure that children are aware of racial inequality, racial hierarchies, and white privilege present in modern-day society, as well as share some knowledge to help combat racism today.

The guide can be downloaded here:

https://yoopies.co.uk/c/press-releases/blacklivesmatter

BAME Authors: Middle Grade

Ade Adepitan

https://www.johnnoel.com

@AdeAdepitan

John Agard

https://literature.britishcouncil.org/writer/john-agard

Patience Agbabi

https://canongate.co.uk/books/3193-the-infinite/

@PatienceAgbabi

Shweta Aggarwal

http://devandollie.com

@devandollie

Hamza Arshad

https://www.penguin.co.uk/authors/134114/humza-arshad.html

@HamzaProduction

Atinuke

http://atinuke-author.weebly.com

http://www.walker.co.uk/contributors/Atinuke-12281.aspx

Jasbinder Bilan

@jasinbath

Malorie Blackman

https://www.malorieblackman.co.uk

@malorieblackman

Sita Brahmachari

http://www.sitabrahmachari.com

@SitaBrahmachari

Aisha Bushby

https://www.egmont.co.uk/blog/egmont-pockets-debit-from-rising-star-aisha-bushby/

@aishabushby

Sarwat Chadda

@sarwatchadda

Maisie Chan

https://www.maisiechan.com/

@MaisieWrites

Ellie Daines

http://www.elliedaines.com

@chirpywriter

Narinder Dhami

https://www.narinderdhami.com/

@narinderd

Nizrana Farook

facebook.com/nizrite

@nizrite

Jamila Gavin

http://www.jamilagavin.co.uk

Rohan Gavin

http://rohangavin.com

Kereen Getten

https://www.instagram.com/kezywrites/

@KereenGetten

Lorraine Gregory

https://www.lorrainegregoryauthor.co.uk/

@authorontheedge

Polly Ho-Yen

https://pollyhoyen.com

@bookhorse

Sharna Jackson

https://www.sharnajackson.com/

@sharnajackson

Catherine Johnson

http://www.catherinejohnson.co.uk

@catwrote

Peter Kalu

http://www.peterkalu.com

@peterkalu

Sangu Mandanna

https://sangumandanna.com

@sangumandanna

E.L. Norry

https://www.scholastic.co.uk/blog/Q-and-A-with-ELNorry-38735

@ilovetolurk

Leila Rasheed

https://leilarasheeddotcom.wordpress.com

@LeilaR

Onjali Q. Rauf

@onjalirauf

Jasmine Richards

https://www.jasminerichards.com

SF Said

http://www.sfsaid.com

@whatSFSaid

Annabelle Sami

https://www.andlyn.co.uk/annabelle-sami

@annabellesami

Malaika Rose Stanley

http://www.malaikarosestanley.com

BAME Authors: Young Adult/Teen

Sufiya Ahmed

https://mbalit.co.uk/client/sufiya-ahmed/

@sufiyaahmed

Dean Atta

https://sites.google.com/site/deanatta/

@DeanAtta

Yaba Badoe

https://www.facebook.com/Yaba-Badoe-118504861506100

@yaba-badoe

Rebecca Barrow

http://www.rebecca-barrow.com

@RebeccaKBarrow

Mary Florence Bello

https://bellapoetry.wordpress.com

@MissBelloTweets

Malorie Blackman

https://www.malorieblackman.co.uk

@malorieblackman

Akemi Dawn Bowman

http://www.akemidawnbowman.com/

@akemidawn

Sita Brahmachari

http://www.sitabrahmachari.com

@SitaBrahmachari

Tanya Byrne

http://tanyabyrne.com

@tanyabyrne

Maisie Chan

@MaisieWrites

https://www.maisiechan.com/

Narinder Dhami

https://www.narinderdhami.com/

@narinderd

Jamila Gavin

http://www.jamilagavin.co.uk

Candy Gourlay

https://www.candygourlay.com

@candygourlay

Sam Hepburn (see Sam Osman)

Danielle Jawando

@DanielleJawando

Catherine Johnson

http://www.catherinejohnson.co.uk

@catwrote

Savita Kalhan

http://www.savitakalhan.com

@savitakalhan

Mariam Khan

http://www.lounge-books.com/contributors/2017/6/20/mariam-k

@helloIammariam

Peter Kalu

http://www.peterkalu.com

@peterkalu

Muhammad Khan

http://www.holroydecartey.com/muhammed-khan.html

@mkhanauthor

Patrice Lawrence

https://patricelawrence.wordpress.com

@LawrencePatrice

Ayisha Malik

 https://www.ayishamalik.com/

@Ayisha_Malik

Sangu Mandanna

https://sangumandanna.com

@sangumandanna

Manjeet Mann

https://www.manjeetmann.com/

@ManjeetMann

Irfan Master

http://irfanmaster.com

@Irfan_Master

Taran Matharu

http://authortaranmatharu.com

@TaranMatharu1

Kiran Millwood Hargrave

@Kiran_MH

Stefan Mohamed

http://stefmo.co.uk/wp/

@stefmowords

Wilf Morgan

https://sites.google.com/site/88talesv3/

@wilf007

Natasha Ngan

http://girlinthelens.com

@girlinthelens

E.L. Norry

https://www.scholastic.co.uk/blog/Q-and-A-with-ELNorry-38735

@ilovetolurk

Sam Osman

http://www.samosmanbooks.com

Anna Perera

http://www.annaperera.com

@annaperera1

Yasmin Rahman

@yasminwithane

Bali Rai

http://www.balirai.co.uk/home

@balirai

Leila Rasheed

https://leilarasheeddotcom.wordpress.com

@LeilaR

Jasmine Richards

https://www.jasminerichards.com

Na’ima B Robert

@NaimaBRobert

SF Said

http://www.sfsaid.com

@whatSFSaid

London Shah

http://www.londonshah.com

@London_Shah

Alexandra Sheppard

https://www.alexandrasheppard.com/

@alexsheppard

Nikesh Shukla

http://www.nikesh-shukla.com

@nikeshshukla

Emma Smith-Barton

@EmmaSmithBarton

Tasha Suri
https://tashasuri.com/

@tashadrinkstea

Tabitha Suzuma

http://www.tabithasuzuma.com

@TabithaSuzuma

Meera Syal

https://literature.britishcouncil.org/writer/meera-syal

@MeeraSyal

Alex Wheatle

https://www.alexwheatle.com/

@brixtonbard

Benjamin Zephaniah

https://benjaminzephaniah.com

@BZephaniah

BAME Publishers

Dinosaur Books

Dinosaur Books is an independent publisher that produces books for children aged 5 – 14. They aim to publish stories for young readers that combine exciting, page turning adventure with ideas that encourage readers to think.

Lantana Publishing

Lantana Publishing is a young, independent publishing house producing award-winning picture books for children. Lantana’s mission is to select outstanding writing from around the world, working with prize-winning authors and illustrators from many countries, while at the same time nurturing new writing talent.

Knights Of

Knights Of publishes commercial children’s fiction – distributed through the UK, Ireland and Europe. We’re all about hiring as widely, and as diversely as possible, to make sure the books we publish give windows into as many worlds as possible – from what’s on the page all the way to sales copy.

Alanna Max

We are passionate about children’s books and we believe everyone loves a good story! However, some children struggle to find books in which they see themselves and their experiences. So at Alanna Books, we aim to produce stories that are naturally inclusive of a wide range of people and experiences – so ALL children can enjoy them.

Tamarind Press

Tamarind Books was founded by Verna Wilkins in 1987 with the mission of redressing the balance of diversity in children’s publishing. Over twenty years later, the world has changed but the problem is still very relevant today. And so, Tamarind still exists to put diversity ‘in the picture’.

Hope Road Publishing

HopeRoad Publishing is an exciting, independent publisher, vigorously supporting voices too often neglected by the mainstream. We are promoters of literature with a special focus on Africa, Asia and the Caribbean. At the heart of our publishing is the love of outstanding writing from writers you, the reader, would have otherwise missed.

Cassava Pepublic Press

Our mission is to change the way we all think about African writing. We think that contemporary African prose should be rooted in African experience in all its diversity, whether set in filthy-yet-sexy megacities such as Lagos or Kinshasa, in little-known rural communities, in the recent past or indeed the near future. We also think the time has come to build a new body of African writing that links writers across different times and spaces.

Tiny Owl

An independent publishing company committed to producing beautiful, original books for children. Established in 2015, our energy and passion stems from our belief that stories act as bridges – providing pathways to new experiences whilst connecting us to here and there. Our stories are visually rich and conceptually meaningful. They give children unique perspectives on universal themes such as love, friendship and freedom and a greater awareness of the diverse and colourful world we live in. We have a range of books from Iranian authors and illustrators including two beautiful tales by Rumi and one from The Book of Kings. We are also developing a programme of intercultural projects, pairing authors and illustrators from around the globe.

Jacaranda Books

Jacaranda Books Art Music Ltd is a fresh and exciting new independent publishing house based in London. We publish adult fiction and non-fiction, including illustrated books, which cross linguistic, racial, gender and cultural boundaries – books in many ways as cosmopolitan as our city.

A list of inclusive publishers compiled by Chitra Soundar: http://picturebookden.blogspot.co.uk/2018/02/inclusive-indie-publishers-by-chitra.html?m=1