Author Archives: Caroline Fielding

Chartered School Librarian, CILIP YLG London Chair, Bea-keeper

The Third Degree with Zanib Mian

Planet Omar: Accidental Trouble Magnet, with illustrations by Nasaya Mafaridik

You might recognise Omar, he was originally published as The Muslims by small, independent publishing house Sweet Apple, and I wrote a post about how much I loved it (not long after it won the Little Rebels Prize). Now, with new illustrations, Hachette are taking him to the mainstream into his own series of books. I enjoyed reading the proof copy I was sent (thanks Hachette) and noticed that although the story has changed slightly, the humour and everyday touches that I loved remain, and I was very happy to be able to ask author Zanib Mian a few questions about it:

Hi Zanib, thank you for agreeing to undergo the Third Degree!

You’ve written a number of picture books but this is your first book for older readers, what prompted you to write a longer story?

My writing is often inspired by my own children, so when they were younger, I wrote a lot of picture book stories. When I started writing the book that is now Planet Omar, my son was nine years old. He was growing up, which meant there were so many more dimensions to his often hilarious personality. I was compelled to write a character like him! But I wasn’t quite sure what kind of story I would write, until I began to notice how much young children were suddenly politically aware – discussing Trump in the playground and often overhearing adults discussing the news (usually involving Muslims!). The NSPCC reported a surge in faith-based bullying in playgrounds. Primary aged children were being called ‘terrorists.’ This was all very upsetting and the inspiration behind the book. I thought it was time that the world met a regular Muslim family, like Omar’s.

Why do you feel that it was important to include so many details about the everyday actions of practicing Muslims?

I feel that prejudice arises from a lack of awareness. People may not understand our reasons for doing certain things – they are completely alien to them. For those people who don’t have any Muslim friends and are reluctant to ask questions, the book gives a nice insight into why we do things like fast during Ramadan, or wear hijab. It also includes lots of comical situations that go on in Muslim households that are related to our practices.

I loved Science Sundays! What made you decide that both his parents should be scientists?

That was easy! I am a Molecular Cell Biologist, who loves all things Science. I thought it would be a great way to inspire children towards the subject and show them how ‘cool’ and fun it can be. Making both Mum and Dad Scientists meant that I could really trickle it through the pages, as with Science Sundays, which I very much enjoyed doing!

‘Planet Omar’ was first published as ‘The Muslims’ by Sweet Apple publishers. When you were re-editing it for a larger publishing house did the process feel very different?

Yes, it did. It was the first time I worked with a larger publishing house, so it was very a very different, but hugely positive experience to when I publish books under Sweet Apple. My editor, Kate Agar, wanted to expand the book in areas where I had already felt needed more work, so I was happy to jump on it. Her suggestions and prompts were very inspiring, allowing me to imagine more scenes (just like Omar imagines!) and bringing out the best in my writing.

How did you feel about the illustrations being replaced? Were there any parts you weren’t happy with and asked to be redone?

The illustrations were actually the hardest part of the transition, at first. That’s because, as the book had had a life of its own, I had images in my mind of the characters as they were in The Muslims. Especially for Omar. Seeing him change completely was a bit of an adjustment! The creative team at Hachette were wonderful about getting my input and thoughts. I really have enjoyed working with the whole team there and was really touched by how much they valued my opinion on the artwork and cover. I asked them to make Omar’s face cheekier and the Mum a bit more quirky. They came back with more drafts until I was happy and now I’m in love with the end result!

Do you enjoy visiting schools to talk about Omar?

Oh yes, visiting schools around the publication of Planet Omar. I love seeing the children giggle in complete relation to Omar and his family antics. They seem to be very intrigued and inspired by Omar’s imagination, which is fabulous! One of the schools I visited had already read the book, so their line of questions at the end was very specific. I was extremely warmed by their concern that I might have written the book because I had myself been bullied or suffered a nasty neighbour. I reassured them that it wasn’t the case!

What are you reading at the moment and who would you recommend it to?

I am reading Charlie Changes into a Chicken by Sam Copeland, because I want to read all the awesome books by my author friends. It’s hilarious. I’d recommend it to any kid who wants to have a laugh and likes poo jokes. For some adult reading, I’ve dug into Jonas Jonnason’s Hitman Anders and the Meaning of It All – I love this author’s unique writing style. Makes me smile all the way through.

What’s next for Omar, and what’s next for you?!

Planet Omar is a series! Book 2 will be out in Febuary 2020, where you can read about more of his shenanigans! I’ve loved writing for middle grade and had a blast writing Planet Omar book 2.

Zanib Mian

Planet Omar: Accidental Trouble Magnet is out now!

Narwhal: Unicorn of the Sea!

The first two Narwhal books by Ben Clanton

These graphic novels are a brilliant introduction to the medium for young readers, written and drawn by Canadian Ben Clanton they are short and simple but wonderfully silly, about the adventures of best friends Narwhal and Jelly. The first two books are out in the UK now!

Narwhal and Jelly meet for the first time in the first story

I literally laughed out loud at the banter, the stories are just joyful and so much is said in very few words. I can’t imagine anyone of any age, from 5+, not loving this series (book 3 is due in September). They tackle friendship, embracing difference, and all sorts of emotions, and they’re totally adorable and really funny. For information lovers, there are pages of facts about creatures mentioned in the stories.

Yes, that is a narwhal and a jellyfish enjoying waffles on the other page!

When Egmont asked if I’d like review copies for the blog I jumped at them (thankyou for sending them to me), because the glimpse of the comic strip on the press release immediately brought to mind another underwater character that I love, who could really do with a Narwhal and Jelly in her life: Lucy the Octopus by Richy K. Chandler. He’s visited two of my schools to do comics workshops and all of the students have had a great time with him, I highly recommend getting him in. When he visited my current school a couple of years ago he gave us a couple of printed volumes of the webcomic (still available to buy), but there is now a hardback graphic novel you can buy for your library to bring cheer to the lives of all your anxious (& possibly bullied) faves (recommended to age 9+)

How Not to Lose It

April has been Stress Awareness Month in the UK, soI thought I’d share with you this book for teenagers about looking after their mental health that I was sent earlier this year by Scholastic

How Not to Lose it, written by Anna Williamson and illustrated by Sophie Beer

Anna Williamson is a TV presenter and has written for adults, as well as being an ambassador and national spokesperson for Mind, The Prince’s Trust, and Childline, and working as a counsellor for children and young people.

contents page

The book covers lots of issues that will affect the emotional and mental health of most teenagers: including school, families, friendships, sex and sexuality, and the dreaded puberty, and things that can be affected: such as body image, self-esteem, and fears. To make the book accessible it is set out really nicely with illustrations by Sophie Beer, and it includes some real actions that readers can take to improve situations.

Toxic friendship is well covered in the ‘Just be You’ chapter

There are also some other brilliant mental health books for teenagers around at the moment (not to mention the excellent fiction dealing with mental health issues, or simply the fact that reading a book is good for you…). I’m also a fan of the Usborne Looking After Your Mental Health book, and Nicola Morgan has written lots about it, for teens and their grownups!

The 2019 Little Rebels Award Shortlist: Propaganda, War and Autocrats

The Little Rebels awards shortlist was released whilst I was away, and it is a fantastic bunch of titles for children (aged 0-12) which “promotes social justice or social equality, challenges stereotypes or is informed by anti-discriminatory concerns.”

Government propaganda, militarization, misjudged Western ‘aid’ and the UK’s participation in the slave trade are just some of the themes highlighted by this year’s shortlist for the Little Rebels Award for Radical Children’s Fiction.

Small, independent publishers figure strongly on the shortlist, including titles from HopeRoad and Lantana Publishing. Anne Booth makes her second Little Rebels Award appearance (Girl With A White Dog was shortlisted in 2015) and former Little Rebels Award judge, Catherine Johnson, is shortlisted for her historical fiction novel, Freedom, an account of the UK’s role in the slave trade which takes the 1781 Zong Massacre as its cue.
 
The full Little Rebels Award 2019 shortlist (for books published in 2018) is:
Across the Divide by Anne Booth – Catnip Publishing
Freedom by Catherine Johnson – Scholastic
The Ghost and Jamal by Bridget Blankley – Hope Road Publishing
The King Who Banned the Dark by Emily Haworth-Booth – Pavilion Children’s Books
The New Neighbours by Sarah McIntyre – David Fickling Books
Running on Empty by S E Durrant – Nosy Crow
Tomorrow by Nadine Kaadaan – Lantana Publishing

 
War and conflict are recurrent themes while receiving very different treatments: Across the Divide explores the pacifist movement and the militarization of local communities; picture book, Tomorrow (by Nadine Kaadan who moved to London following the onset of the Syrian conflict), portrays civil war through the eyes of a family forced to stay indoors; The Ghost and Jamal exposes young people as the real casualties of wars and critiques Western charitable ‘interventions’ in conflict zones. Two of the shortlisted titles foreground disabled characters as significant voices and agents: The Ghost and Jamal’s protagonist has epilepsy and AJ’s parents in Running on Empty have learning disabilities. Durrant’s novel, set in Stratford (London), stars a working-class family struggling under the pressure of financial hardship and a welfare system ill-equipped to support them. Picture book, The New Neighbours, hints at themes very familiar to previous Little Rebels Award shortlists -the treatment of refugees and pre-conceptions about new arrivals- while the protagonist of the third picture book on the list, The King Who Banned the Dark, is an autocrat who instills obedience in his citizens through imagined fears.
Fen Coles, Co-Director of Letterbox Library, said of the shortlist: “From a king who bans the dark to a tower block community fearful of the ratty (!) newcomers, the Little Rebels Award shortlist demonstrates again that weighty topical themes can be brought to the youngest minds in ways which are playful, provocative, thoughtful and fun. Social divisions, conflict, the rise in far right parties and ideologies, threats to democratic rule as well as very home-grown human rights abuses such as the Windrush scandal are all ‘live’ topics which children are hearing about through ubiquitous social medias. The Little Rebels titles continue to offer young people and children texts to help them navigate, question and make sense of the fractured world which surrounds them”.

From the press release

I’ve seen all except 2 of these so will have to seek them out, what I’ve seen/read though is fantastic. Do have a browse of the award’s site for the history, past winners, and current judges! The winner will be announced on 10th July.

The Third Degree with Sharna Jackson

I reviewed High Rise Mystery last month and enjoyed it so much that I asked to send some questions to Sharna Jackson!

Hi Sharna, thank you for agreeing to undergo the Third Degree!

What or who were your influences when writing? How did Nik and Norva come into your head?

I loved the idea of transposing classic mystery genre conventions and seeing what happened to them when placed in a contemporary, city setting. I was thinking about Sherlock Holmes, Poirot, The Thin Man, books by Kathrine Woodfine and my lovely editor Robin Stevens, but also TV programmes like Luther, films like Attack the Block and the Nothing Beats a Londoner Nike ad.

Nik and Norva are both a bit like me. I love shaving my hair off and being practical like Nik, but I can also be dramatic and excitable like Norva. Norva is actually named after a ceramist I met in The Hague in the Netherlands at her exhibition one day. She was very cool.

What made you decide to pitch a murder mystery to a young audience? Was there anything you consciously toned down because of it?

Alongside the thought of murder mystery in the city being interesting, I was also keen to see young black characters being sleuths – being clever and cunning.

I did tone down some of gory aspects of finding Hugo’s body. I took it a bit too far.

How did it come to be published by KnightsOf?

I knew David Stevens from conferences – and Twitter – and was delighted that he and Aimée Felone – his business partner – had launched Knights Of. What a fantastic thing! I had been speaking to them about other matters and one day they said, why don’t you write? I thought about it for a hot second, said yes and pitched High Rise Mystery to them. I described it to them as “PIs in the Projects, they sent back two black girl detective emojis and that was that.

In your day job you’re concerned with social engagement in the arts. Is The Hub, or indeed any character, based on places or people you have worked with?

The Hub is based on community centres I’ve seen across the UK – flexible spaces used by people in the area to use. I’m the Artistic Director at Site Gallery in Sheffield, and have worked with museums and galleries across the world, and have met some interesting people. Hugo is definitely an amalgamation of some people I’ve met along the way!

What do you think is most important about community spaces such as The Hub, and how are they faring in the face of austerity?

Community Spaces are incredibly important as they allow people in the immediate areas access and spaces to use in ways that are directly relevant to their needs and wants. Unfortunately austerity has a knock-on effect on everything – especially the arts. There is less funding for artists, and less money for the public to spend on events.

What are you reading at the moment and who would you recommend it to?

I’m just about to start Ghost by Jason Reynolds – can’t wait!

Have you done any author visits to schools and/or libraries yet?

Not yet – my first visit is on Thursday 11th at the Basil Griffith Library in Sheffield and then Waterstones Durham on Saturday [13th April]. I’m excited – and nervous!

When can we hope to see more Nik and Norva?

Soon I hope!

Scholastic Voices

A series of gripping adventures that reflect the authentic, unsung stories of our past.

The series so far!

Last year Scholastic announced the launch of their new series of books, Voices, a series bringing to life BAME figures from British history, who’s stories are rarely told. I have been lucky enough to be sent the first two, both of which are fantastically paced, evocative, believable, heartbreaking, exciting, thought provoking, rage-inducing, and full of historically accurate information ripe for discussion. They are both brilliant stories in their own right, I expect to see them on topic reading lists in primary and secondary schools and in every school library, and I am really looking forward to finding out what is next in the series!


The world is at war and standing on the shores of Dunkirk, a young Indian soldier fights in defence of a Kingdom that does not see him as equal.
My trust in the kindness and decency of others ended. It seemed I had reached a point of no return...”

Bali Rai’s Now or Never

Bali Rai wrote the first, Now or Never: A Dunkirk Story, about a period of time that every British school child has to learn about, but an aspect of that historical event that has been brushed under the carpet by the history books. Faz is one of hundreds of Indians that volunteered to join the British army during WW2 and who were then so badly treated. Scholastic interviewed him about it here. It has been out since January.

When Eve and her mother hear that one of the African divers sent to salvage the Mary Rose is still alive, and that another wreck rich with treasures lies nearby, they set out to find him.

“The water was my destiny. I knew it…I breathed in slowly and slipped over the edge of the boat into the water.”

Patrice Lawrence’s Diver’s Daughter

The second book is Diver’s Daughter: A Tudor Story, from Patrice Lawrence, makes it clear that black people have been in Britain for a lot longer than the Windrush generation, and focussing on another oft-taught about feature of English history: Henry VIII’s flagship, Mary Rose. Her author’s note says she didn’t want to focus on slavery, but it is definitely clear that people of African descent were not safe despite it being illegal on English soil at that time. It is being published in May, look out for it.

Diver’s Daughter brought to mind Catherine Johnson’s many (and brilliant) historical novels…maybe she’ll do one of the future books in the series (fingers crossed)?

The Third Degree with Justin A. Reynolds

From debut author Justin A. Reynolds comes Opposite of Always, a razor-sharp, hilarious and heartfelt novel about the choices we make, the people we choose and the moments that make life worth reliving.

When Jack and Kate meet at a party, he knows he’s falling – hard. Soon she’s meeting his best friends and Kate wins them over as easily as she did Jack.

But then Kate dies. And their story should end there.

Yet Kate’s death sends Jack back to the beginning, the moment they first meet, and Kate’s there again. Healthy, happy, and charming as ever. Jack isn’t sure if he’s losing his mind. Still, if he has a chance to prevent Kate’s death, he’ll take it. Even if that means believing in time travel. However, Jack will learn that his actions are not without consequences. And when one choice turns deadly for someone else close to him, he has to figure out what he’s willing to do to save the people he loves.

I was given a copy of OPPOSITE OF ALWAYS at the CILIP YLG London Macmillan event in January, it was one of the books they told us about that I loved the sound of, so when I was given the opportunity to ask Justin some questions for the blog I rushed it to the top of my TBR pile, and boy am I glad I did! It isn’t your classic YA love story, it isn’t your classic teen angst story, but it is your classic teenager trying to deal with what life throws at him. Jack is a great protagonist, making terrible decisions and bad jokes while his family and friends stick by his side through thick and thin (so refreshing). It is funny and moving and totally engrossing, and I finished it in a day.

Hi Justin, welcome to TeenLibrarian and thank you for giving up your time to undergo the third degree!

‘Opposite of Always’ is your debut novel, was it a long journey to publication or was it snapped up?

Great question. The answer is actually a combination of both. Opposite of Always is my third or fourth completed manuscript, after drafting my first back at university; so, yes, it’s been a long journey in that sense. In fact, at one point, right before beginning this draft, I’d considered giving up writing altogether. Of course, now I’m glad I kept going. Once my agent took the story out on submission with publishers, we had immediate interest the very next day, and it was a whirlwind from there. I was very fortunate.

Do you still have a day job? How have you managed writing time?

Currently, writing is my day job, which is something I’d always dreamed of—writing full time. I do often think of my former occupation, though, with a special fondness; I was a registered nurse and had the privilege of assisting so many awesome patients get back on their feet. It was a very different job than writing, but both revolve around stories, on shaping a narrative. And both require a great deal of humility and empathy.

What has been the best thing so far about being published?

The best thing has been the opportunity to meet so many fantastic people! The young adult book community, as it turns out, is smaller than I thought; which has been nice because it’s afforded me the chance to get to know other writers. They’ve shared their personal stories of perseverance with me and they’ve given me great advice throughout this entire journey; it’s been a tremendous (and unexpected) help!

You say in your introduction that it is your “refusal to say goodbye” to lost loved ones. Did you find yourself using any real memories in the story or is it all fictional?

So, I actually struggled with the idea of writing a story that stemmed from those personal losses. I wasn’t sure that I had the right to include those personal memories because they were no longer around to share their opinions; because of that, I did not use any specific memories in OPPOSITE OF ALWAYS. But the characters are certainly composites of people that I love; people that have loved me.

Jack has extremely supportive parents, something often missing in YA and very much missing from his friends’ lives, was that the case from the very first draft?

I love this question! The answer is yes! It was absolutely the case from the very first draft. There were a couple of things about this story that I knew from the beginning beginning—one was that Jack’s voice would be the focal point, and another was that he would have a very loving and dynamic support network—the center of which would be his parents. Not only was it important to me that their love for Jack be front and center, but that their love for his friends would feel the same. I think much of the parents’ instincts to love and support Jack (and company) stems from their deep (and sometimes super affectionate haha) love for each other.

You reference ‘Groundhog Day’, were there any other time travel influences that you’d recommend?

I love the movie ‘About Time’! If you haven’t seen it yet, please do yourself a favor and correct that immediately!

What are you reading at the moment and who would you recommend it to?

I just finished a great book called ‘Let Me Hear a Rhyme’ by Tiffany D. Jackson; at first glance it may appear to be a departure from her previous work—stories intent on drawing attention to the disregarded and giving voice to the overlooked—but at her newest novel’s core is the same heart and urgency present in all of her stories. I’d recommend it to anyone who loves music, values friendship, and enjoys superb storytelling.

Any plans to come to the UK?

I definitely want to visit the UK! Is this an invitation? 😀

I’m afraid we can’t stretch the budget to airfares, but I know a lot of librarians that would definitely love to meet you if you do come over!

OPPOSITE OF ALWAYS is out in the UK on the 4th April 2019.

Joe Quinn’s Poltergeist


Joe Quinn tells everyone about the poltergeist in his house, but no one believes him. No one that is, except for Davie. He’s felt the inexplicable presence in the rooms, he’s seen random objects fly through the air. And there’s something else … a memory of his beloved sister, and a feeling deep down that somehow it might be possible for ghosts to exist.


David Almond is one of the most interesting writers for children in the UK, creating unique, thought provoking, and curious stories and characters (including the much loved ‘Skellig’). ‘Joe Quinn’s Poltergeist’ is one that is heavily influenced by his childhood near Newcastle, growing up in a Catholic family living in a council estate (until he was 13). The introduction tells us a bit about this background, his loss of a sister when he was aged 7, and his love of reading and libraries. The story itself is not so much a ghost story as a story of a boy hoping for something, coming to terms with grief, and realising that life goes on even while you work out what you believe.

I had already read ‘Joe Quinn’s Poltergeist’, as it is one of the short stories in his collection ‘Half a Creature from the Sea‘, published by Walker in 2014, but reading it again with Dave McKean‘s illustrations was a whole new experience. When judging the Kate Greenaway nominations, you need to consider how much the illustrations are an integral part of the story, whether it would be the same or lesser without them, and this is one where I would easily say that it leaves a lasting impression far enhancing that of the words on their own. The pacing of the text and placement in and around the illustrations flows beautifully, the pages are so evocative while the faces of the characters show so much emotion, and I fully expect to see this on the 2020 Greenaway longlist.

Thankyou so much to Walker books for sending me a copy of ‘Joe Quinn’s Poltergeist‘ to review. Their site suggests it is for readers aged 9+, I’d put a heavy emphasis on the ‘+’ because it is one of those that can be skimmed or read deeply and speaks on many levels.

This is the fourth of Almond’s books that McKean has illustrated, Slog’s Dad and The Savage are a similar format and of a similar brilliance, ‘Mouse Bird Snake Wolf’ is suitable from a slightly younger age. I suggest if you’ve not seen them already you seek them out too!

High Rise Mystery by Sharna Jackson

If you think finding a body is a fun adventure, you’re 33% right.

fantastic cover art by Wumzum


There has been a murder in THE TRI, the high-rise buildings where know-it-alls Nik and Norva live. Armed with curiosity, local knowledge and unlimited time – until the end of the summer holidays – the dogged and determined detective duo take it upon themselves to solve the complicated mystery.

Sharna Jackson’s debut novel for children is set in a tower block (surprisingly enough) on a SE London estate. Our detective duo are sisters Nik and Norva, aged 11 and 13, living with their dad on the estate. He is the caretaker of the block and, also, becomes the main suspect when the sisters find the body of their art teacher. Luckily they’ve been honing their detecting skills and are ready for a bigger mystery to solve!

It isn’t only brilliant because it is the first Black British children’s detective series for 9-12s, it is brilliant because it is one of the best children’s detective mysteries I have ever read.

I enjoyed reading this *so* much. It is pretty long for a “middle grade” book (I say MG, but it could easily be enjoyed by older teens as well…and indeed adult readers), but the pages flew by as the investigation continued. Really pleased that it is the first in a series, I want as many of these as there are Poirot novels please!

HIGH RISE MYSTERY is beginning to appear in shops now!

(huge thanks to Colour PR for asking me if I’d like a copy to review)

The Third Degree with Keren David

Barrington Stoke (my old faves) very kindly sent me a copy of The Disconnect, Keren David’s next novella for them, to review.

How will a group of teenagers react when they are offered £1,000 to give up their mobile phone in Keren David’s thought-provoking story of perspective and influence.When an eccentric entrepreneur challenges a class to give up their phones, offering a prize of £1,000 to the one who lasts the longest, Esther is determined to win. But ignoring the draw of technology is difficult and it’s not as easy as she thought to resist that niggling urge. Can she hold out long enough to win the money and what else can Esther and her friends discover when they’re not glued to their screens? An astute and enthralling examination of the highs and lows of social-media life, from one of the most compelling voices in teenage fiction

As usual for a Barrington Stoke title, it says a lot with a few words. What I loved about this book, was that it wasn’t telling teenagers to get off their phones altogether but that perhaps it is worth looking up occasionally…and that parents and other adults are as guilty as teens about overusing their screens! In fact, I enjoyed it so much that I pestered Keren for the Third Degree…

Hi Keren, welcome to TeenLibrarian and thank you for giving up your time to undergo the third degree!

What prompted you to write about mobile phone use?

It’s such a huge thing in teenagers’ lives – all of our lives – and I thought it would be good to think about all the things, good and bad that we get from our phones. It’s something that I talk to my children about a lot. And I’d also been talking to a friend whose daughter was being bullied, and a lot of that was happening within Snapchat groups. I had a long talk with my son to work out what might actually tempt teenagers to put down their phones – money, we concluded. 

Do you have any advice for teens that might be worried about social media ruling their lives?


Give yourself a break. Even switching off once a week for 24 hours can put things into proportion, and help you create a sense of yourself that is separate from social media. 

The descriptions of food were wonderful, what inspired Basabousa?

On a very superficial level, I love Middle Eastern food and enjoy going to restaurants where it is served. On a deeper level, at a time of growing antisemitism, I wanted to create a benign character who is Israeli but whose family is originally from an Arab land – as they tend to get ignored in the overheated political narrative. 

This isn’t your first title for Barrington Stoke, how did you first get involved with them?

I loved their mission and books, and wanted to write for them for a long time. Then I had a letter from a dyslexic boy who said he’d enjoyed my books. So my agent used it as a way to approach Barrington Stoke, and luckily they were keen for me to write for them. 

Is writing a novella a very different process to writing a longer novel?

It’s similar but much more concise – no time to dwell on minor characters or sub-plots. I like it! 

If you go into schools, do you prefer writing workshops or author talks?

I’m equally happy to do either. With writing workshops I try and do something that is fun, because I feel that often the enjoyment is sucked out of writing at school. I do one exercise where pupils create characters, then work in pairs to bring those characters together into a plot. Then – after a lot of laughing and excitement – I tell them that’s how my first book started, by doing that very exercise in a creative writing class. 

What are you currently reading and who would you recommend it to?

I’ve just finished Tracey Thorn’s memoir Another Planet: A Teenager in Surburbia (Canongate) which was an extraordinary read for me, as Tracey and I were in the same class at school and did all the same A levels. A lot of it felt like reading my teenage diaries. I’d recommend it to anyone, but especially those of us who were teens in the late 70s. And I’ve just started reading Karen’s McCombie’s Little Bird Flies  (Nosy Crow) which is an absolutely beautiful, emotionally gut-wrenching story, perfect for sensitive 10 to 14 year olds. 

 What are you hoping 2019 will bring?

I’ve just started work on a new book, so I hope that’ll be a good experience! 

The Disconnect is out on 15th April 2019