Monthly Archives: October 2018

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You’re Snug With Me – picture book review

 


At the start of winter, two bear cubs are born, deep in their den in the frozen north. “Mama, what lies beyond here?” they ask. “‘Above us is a land of ice and snow.” “What lies beyond the ice and snow?” they ask. “The ocean, full of ice from long ago.” And as they learn the secrets of the earth and their place in it, Mama Bear whispers, “You’re snug with me.”

You’re Snug With Me is the second time Lantana have paired Chitra Soundar with Poonam Mistry, after You’re Safe With Me, and they are a fabulous team. It is not quite a sequel, but they are both environmentally minded and each have some factual science behind the lyrical stories. My favourite example of that from this book, is:

“As the snow fell harder, the cubs grew curious. “Will it always be dark?” they asked.

“It is dark because we are far from the sun during the winter months.”

The cubs trembled.

“Don’t be afraid,” said Mama Bear. “The Earth dances on her toes and when she tilts, our nights will get shorter and spring will return.”

While the style of drawing remains consistent between the two books, the minimal colour palette in this chilly tale is completely different to that of You’re Safe With Me:  blue, white, and yellow. It is perfect for the snow filled setting, just as green, red, and yellow was perfect for the rainforest setting of Safe. The illustrations are anything but minimal though, taking up all the space with beautiful patterns making up stylised animals in breathtaking scenes. The view changes depending on how close you are to the book, with so much detail to take in.

Although Lantana are small, their growing list of picture books is extremely impressive, some of my absolute favourite titles of recent years have come from them, so do take a look at their catalogue. They make a point of working with authors and illustrators from a wide range of cultures and nationalities to ensure that every child has a chance to see themselves in stories; ‘a publishing house with inclusivity at its heart’

Teen Librarian Monthly October

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A Storm of Ice and Stars by Lisa Lueddecke

I hope you read our guest post from Lisa Lueddecke as part of a blog tour promoting her second book, A Storm of Ice and Stars, earlier this month. I was also sent a copy of the book to read and review.

Ice, myth, magic and danger in this bone-chilling, page-turning, beautifully written fantasy novel set in the same world as A SHIVER OF SNOW AND SKY. Blood-red lights have appeared in the sky over the frozen island of Skane, causing a cloak of fear and suspicion to fall over the village like a blanket of snow. In a desperate attempt to keep out the plague, the village elders barricade its borders – no-one, no matter how in need of help, will be permitted to enter in case they bring infection with them. Teenager Janna refuses to turn her back on people seeking refuge and is banished to the swirling snow and lurking darkness beyond the village. Can she survive?

The opening paragraphs gracefully introduce us to the vast, quiet, cold island of Skane and the dangerous sky that promises death for many. Our main character has long been considered odd by the village and, when something terrible happens the night after the villagers close their borders for fear of plague, these whispers of witchcraft turn into loud accusations and she is forced to leave. I was turning the pages at speed at this point, fearing what was coming, but once her trek from the village begins it became (for me) less tense and more clearly pre-destined, turning into a quest to plead with the Gods to save those who were kind to her. The writing is truly atmospheric, it is a very wintery read. Well paced, with character building flashbacks that do a lot to explain her behaviour, and a satisfying end.

Follow the Funny

Those of you who attended the YLG national conference in Manchester last month will remember the panel discussion about funny books for children and writing comedy. In response to an audience question about judging the quality of comedy, one of the panellists, Dave Shelton, recommended some podcasts about the mechanics of writing comedy. Afterwards I asked if he’d be able to share them for the blog and, after a gentle prod, he has!

Barry Cryer is fond of saying that analysing comedy is like dissecting a frog: nobody laughs, and the frog dies. And Barry Cryer has been extremely funny for about three centuries now, so he knows a thing or two. But personally, possibly because I don’t have funny bones like Mr Cryer’s, and because I’m naturally a bit nerdy, I quite enjoy taking a scalpel to a joke and figuring out how it works. I wouldn’t want to do it all the while: I’d hate to lose the pure joy of laughing at a great gag, or a sketch, or a bit of slapstick, and not worrying about the craft that went into it. But some of the writing I do is meant to be funny, and I want to be good at my job, so I do like sometimes (to switch metaphors) to open the bonnet and take a look at the engine. And happily, in the Age of the Internet, there are some pretty good comedy Haynes manuals available for those of us who take an interest in the mechanics. So here, for anyone similarly interested in poking about in the inner workings of all things funny, are my favourite podcasts on the subject.

The Comedian’s Comedian podcast, with Stuart Goldsmith

Stand up comedian Stuart Goldsmith interviews (mostly) other stand up comedians and nerdily analyse their craft. Goldsmith (not a comedian I was aware of previously) is a knowledgable, enthusiastic and thoughtful host and (at time of writing) there are 265 shows to choose from, including an excellent two-parter with the aforementioned Mr Cryer. Well worth a dig through his archives. http://www.comedianscomedian.com/podcasts/ 

The Adam Buxton Podcast

Adam Buxton (of former Adam and Joe fame) casts his net a little
wider, occasionally interviewing film directors, actors and other creative
types, but the majority of his interviews (or “ramblechats”) are with comedy
types (comedians, writers, comedic actors) and Buxton’s personable interviewing
style often takes an idiosyncratic approach that gains insights that a more
straightforward approach would fail to reveal, especially when the interviewee
already knows him (as is sometimes the case). Less analytical and technical
than Stuart Goldsmith’s show, but more likely to be funny in itself. http://www.adam-buxton.co.uk/podcasts 

Richard Herring’s Leicester Square Theatre Podcast (RHLSTP)

Another interview podcast (the guestlist of which overlaps
somewhat with that of Adam Buxton’s) in which Richard Herring (also formerly
half of a double act – Herring used to work with Stewart Lee in the ‘90s)
interviews mostly fellow comedians for about an hour in front of a live
audience at the Leicester Square Theatre (as you had perhaps already guessed
from the title). Gloriously wayward, sometimes gleefully childish, and
occasionally stomping over the boundaries of good taste, Herring won’t be to
everyone’s taste, but he knows his stuff and he’s an insightful interviewer,
especially when the chemistry really clicks with his interviewee. http://www.comedy.co.uk/podcasts/richard_herring_lst_podcast/ …

Sitcom Geeks

Hosts James Cary and Dave Cohen discuss the art of sitcom
writing for TV and Radio, either between themselves or with a guest. I
personally find this one a little more hit and miss than those above, but
there’s plenty of gold amongst their (so far) 90 episodes, not least the two
part interview with my particular current radio comedy writing hero, John
Finnemore. http://www.comedy.co.uk/podcasts/sitcom_geeks/ …

Rule of Three

I’ve saved the best till last: this one is the baby of these
choices, having only begun in April 2018, but it’s my particular favourite.
Hosts Joel Morris and Jason Hazeley (creators of those irritatingly successful
and hilarious spoof Ladybird books, and jobbing writers for all kinds of folk
across radio, TV and film) take a different, more focussed, approach to the
other four shows. To quote Joel’s introduction to the show: “We’re joined by
someone who makes comedy to talk about something funny that they love. By
taking it apart maybe we’ll learn something about how comedy works. Or we’ll
just quote bits from it and giggle till we’re finished. Both approaches are
valid.” Subjects chosen range from Armando Iannucci’s groundbreaking On the
Hour (the radio forerunner of The Day Today) to Father Ted, via a Monty Python
LP and cartoonist Leo Baxendale (creator of The Bash Street Kids). All great,
hugely entertaining, and deeply interesting. http://www.ruleofthreepod.com

Dave writes and illustrates books and comics, including the unsettling ‘Thirteen Chairs’, ‘Good Dog Bad Dog’, and contributing to The Phoenix. His latest offering, ‘The Book Case‘, is a gloriously madcap tale beginning the adventures of a trainee Assistant Assistant Librarian (there are more to come, hooray!). Honestly, one of my favourite books since ‘A Boy and a Bear in a Boat’.

 

 

The Hate U Give – the film

Have I mentioned before what a privilege it is being involved in the CILIP YLG London committee? Because the book by Angie Thomas was shortlisted for the 2018 Carnegie medial, we were invited by Walker books to a special preview of the film at 20th Century Fox in London last week.

Having read the book multiple times during the judging process, I was pretty nervous about how a film might live up to the source material. When we got into the small screening room there were bags of popcorn and packets of tissues waiting for us on the seats and boy were they needed (the tissues, although the popcorn was much appreciated)! In some respects it is very different to the book, lots cut out or rearranged in order to tell the story in 132 minutes – but the bits they kept the same were brilliant and the bits they changed worked. In fact <spoiler redacted> was completely different to the book and such a shock that I cried so hard I couldn’t stop a strange noise escaping my throat…and I still want to cry thinking about it. It translated the core message of the book superbly. But it is also funny! And sweet! Lots of reviews have focussed on the Dad character, Maverick, who is played to perfection by Russell Hornsby, but the whole family was amazing. I especially loved Sekani, that boy really is joy personified.

This is one of those rare occasions where the film is as special as the book, and I highly recommend you make your way to the cinema to see it when it is released. And if you haven’t read it yet, well I just don’t know where you’ve been…

A STORM OF ICE AND STARS by Lisa Lueddecke – Guest Post

How I Write

By Lisa Lueddecke

 

If you’re interested in how I go about writing the books that you read, then this is the place for you. Let me just caveat this post by saying that this is a description of my normal writing life, when I’m not pregnant and repulsed by coffee, etc.

My writing days always start very early. I have long been a morning person, far more inspired by the dawn than the dusk. Particularly when I was writing A Storm of Ice and Stars and living in Cumbria, England, I would set my alarm for five or five thirty am every day, when it was still very dark outside (I wrote most of the book over winter), and after feeding the cat and making my first cup of coffee, I would get into my writing room just as the sun was starting to come up, or close to it. For me, especially when writing fantasy, I find that early morning, pre-dawn time more inspiring than anything else. I even mention it from time to time in my writing, those early hours when the sun is just began to yawn and wake up.

In addition to coffee and mornings, one thing that I usually cannot write without is a scented candle. For A Shiver of Snow and Sky and A Storm of Ice and Stars, I most often wrote with a forest/pine/evergreen/fir scented candle, with the occasional Christmas one sprinkled in. Writing, for me, needs to be a very immersive experience, so I can really feel and see and smell and hear the world. Alongside my candle, I would play some sort of ambience to fit whatever scene I was writing, like an icy cave or crashing waves on a beach. I find that by doing my best to recreate elements of the scene that I’m working on, I can better immerse my readers in the world. I find more details, more descriptions, more bits and pieces that make the world seem real. My fantasy stories have always been very setting-based, and I think that’s why I need so many elements to have a successful writing day. I have to believe in it in order to make other people believe in it.

Although I have moved to America, my writing routine has not changed. I still write very early in the morning, and I try not to set word count goals for myself unless I’m on a very tight deadline. I have to just let the words and the scenes flow, or I feel like my brain stops working with me. I write until I start to get distracted, or I realize that I’m forcing the words out, and then I just let it be for the day, or until the afternoon when I’m feeling fresh and revived. I’m not one of those people that thrives when writing somewhere like a coffee shop. I wish I was, because I usually love coffee, but I’m not. I need mostly quiet, save for my ambiences or my wordless music, and I write either at my desk, or sitting my my couch.

Even if my country and my writing space changes, the way that I write does not, and I’m not sure that it ever will. Scented candles, relevant ambiences, and coffee have always been necessary for me, and I suspect they always will.

 

A STORM OF ICE AND STARS by Lisa Lueddecke out now in paperback (£7.99, Scholastic)

@LisaLueddecke      www.lisalueddecke.com

#ICEandSTARS