
Hi Alex, welcome to TeenLibrarian and thank you for taking the time to answer some questions about your amazing Full Tilt Boogie!
Alex de Campi: Hi Matt! It’s great to be here, thank you for having me!
First question – when developing FTB, what came first, the title or the story?
de Campi: They sort of both happened at the same time. I used to do a lot of sailing when I lived in Hong Kong, racing dayboats called Etchells, and some of the boats had just fantastic names. I mostly raced on a boat called Bellwether, there was an Aussie boat called Lunchcutter, and then another boat called Full Tilt Boogie. I thought, what a great name that would be for a spaceship!
The FTB story came about through me having grown up on the US dubs of Gatchaman and Space Battle Cruiser Yamato, and wanting to take the things I loved about classic Japanese space opera anime and maybe deconstruct them a little, while also keeping both the emotional arcs and the funny moments.
I’d spent a lot of time before and during FTB working on books that were more grounded and needed more research, or at least were nominally set in the real world—Bad Girls, Dracula, Motherf**ker!, Parasocial, Bad Karma. So FTB was its own special treat where I could just let my imagination run wild and make things up as I went along—and a whole galaxy to play in!
How did you first get to work with 2000 AD, the galaxy’s greatest comic?
de Campi: I lived in the UK for a long time, and had a lot of friends who wrote and/or drew for the Prog. Tharg’s door was always open to me, I just never… walked through it, until noted Dredd writer Art Wyatt (Judge Dredd: A Better World and more) kind of strongarmed me through it. He just told me we were writing a Dredd miniseries together.
2000 AD is really refreshing to write for as a woman writer, because they just don’t care. I’m so used to the big US comic companies only wanting women to write niche or female-led books, but Tharg was immediately like “yeah here’s Dredd, you can kill him if you want” (it was a Dredd movieverse series).
I can’t tell you how unlikely it would be for DC to call me up and go “yeah here’s Batman, go for it” and Marvel—well, it’s the year of our lord 2025 and Iron Man has still never had a woman writer. But for Tharg, to paraphrase Neko Case, I wasn’t a woman in comics—I was a writer in comics. And that made all the difference.
If you had to give an elevator pitch to a reader that was not sure about picking up a copy of FTB how would you describe it to them?
de Campi: Broke teenager and her cat jobbing in the galactic gig economy as a bounty hunter accidentally restarts thousand year old galactic war. There’s also a teen super sentai team but some clubs turn out to be a real bummer after you join.
FTB is a glorious love-letter to space opera – what were your inspirations in writing this story?
de Campi: Heavens, so much—from Lois McMaster Bujold’s Vorkosigan books to classic Japanese space anime (and even more modern ones like Witch from Mercury).
Full Tilt Boogie made its first appearance in an issue of 2000 AD Regened – a special aimed at attracting younger readers. Apart from FTB can you recommend any of the other Regened stories to readers new to 2000AD?
de Campi: My absolute fave from Regened is Roger Langridge and Brett Parson’s Pandora Perfect—what if teenaged Mary Poppins was a cat burglar? Honestly anytime you see Roger Langridge’s name on a book you should pick it up, he’s one of our greatest writers.
Do you have a favourite 2000 AD character and are there any that you have a hankering to write for?
de Campi: I’ve been doing a few Judge Anderson (Psi Division) scripts recently and I find I have a lot more Anderson stories in me than Dredd ones—which is good, because Art Wyatt and Rob Williams are just turning out epic Dredd story after epic Dredd story, the SMALL HOUSE > CONTROL -> A BETTER WORLD run is one for the ages.
I like digging into the weird side of Mega-City One. I like Judge Giant, I know he just went to space in ENCELADUS but I want to do an Expanse-style story with him.
I would like to ask one question about Rogue Trooper (if I may) – he, Helm, Gunnar and Bagman are some of my all-time favourite characters in 2000 AD, did you feel any pressure about being given the keys to Nu Earth ahead of Duncan Jones’ movie? (I am also a fan of your collaboration Madi that came out a few years ago)
de Campi: I was PETRIFIED. I felt so much pressure, but it was all self imposed. The brief was to create something that would fill in new readers on classic Rogue Trooper, but not be a retread, or a full reimagining. Sometimes you spend ages circling a story and trying to figure out a way in, but then when you do it all falls together with a certain inevitable elegance. That was GHOST PATROL, the long Rogue Trooper story Neil Edwards (who is KILLING it on art) and I have starting in September in the Prog. I hope readers like it. The 2000 AD audience has been very kind and supportive of my work so far, so fingers crossed.
And we just reissued MADI in a revised, refreshed, expanded edition with Image Comics, which means we finally have a digital edition available on Hoopla/Libby!
Where can readers find you online if they want to find out more about you and your works?
de Campi: I’m really only on Bluesky now: @alexdecampi.bsky.social. I also have a free newsletter, buttondown.com/themagpie, which is kind of monthly and filled with strange gain and interesting links.
Full Tilt Boogie is written by Alex de Campi, drawn by Eduardo Ocaña and will be published by 2000AD on October 21. It will be available wherever great comics are sold! You should order yourself a copy or request that your local library purchase a copy, you will not de disappointed! Trust me I am a Librarian!