The Hideaway tells the story of a boy, Billy McKenna, who runs away from a difficult situation at home and takes refuge in an overgrown graveyard. While hiding there he meets an elderly man who is tending the graves in preparation for a day in November when something magical is set to happen.
The book is written in two alternating narratives, both different aspects of the same story. One thread tells of Billy’s experience of hiding away in the graveyard, his mixed-up feelings and emotions, and the supernatural events he eventually witnesses. The other tells of his mother’s situation at home and the police search for Billy. Covering themes of family, childhood, separation and reunion, domestic violence and doing the right thing, this is an important and beautiful book for middle grade readers right up to adults.
Billy’s story is illustrated throughout with tonal and textured black and white drawings, until the event on All Souls’ Eve, when the text gives way to a series of double page images of the supernatural happening.
The Hideaway is a compelling, exciting and emotional story that will stay with you long after you finish the last page.
Pavilion Books
Pam Smy is such an interesting illustrator, Thornhill is a wonderfully unique book (shortlisted for the Carnegie Award), so I was very excited to be sent a review copy of her 2nd novel The Hideaway…which is haunting and sad and uplifting and will really stay with you…and then even more excited to ask her a few questions! And of course, the most appropriate book to highlight for Halloween!
Which aspect of The Hideaway came to you first?
The scene-setting of The Hideaway came to me first. The graveyard where it is set is a real place here in Cambridge, and it has the chapel in the middle, the row of yew trees, the poem carved into the back wall, and most importantly, the World War 2 pillbox. The combination of the meaning of the poem All Souls’ Night by Frances Cornford and the idea that someone could use the pillbox to hide away sparked the idea for the book.
Thornhill was alternate chapters, a wholly illustrated contemporary voice and a historical diary, while The Hideaway is an illustrated story. Did you draw and write at the same time or had you mainly got the words down before choosing which sections to illustrate?
With Thornhill I wrote the text and made the rough drawings for the story in turn, so both elements of the story evolved at the same time. With The Hideaway I wrote the manuscript first, and then illustrated it – but I knew that I wanted there to be a wordless sequence in it from the outset and I knew what I wanted the feeling of the graveyard to look like in the illustrations.
Do you lay out the pages alone or with a designer?
For The Hideaway I worked directly into an InDesign document so that I could move the text around the illustrations I was making, and the very patient designer, Ness Wood, tidied it all up at the end.
They’re both a bit spooky with extremely atmospheric illustrations, very suitable for Halloween season, is the supernatural your favourite genre to read?
I read a variety of books. I love books about people and relationships, and stories that are set in the past or in rural environments. I also love crime novels. I read a lot of picture books and illustrated books of all kinds for all ages. I wouldn’t say that I especially read supernatural books, although they are certainly on my bookshelf.
I think I am drawn to write and illustrate spooky books because I love making atmospheric artwork, and building a world that is based on the everyday, but is different from what we may typically see – but without tipping into fantasy or sci-fi.
You’ve also published a picture book, Merrylegs! Three very different books, which was most enjoyable to work on?
I enjoyed making the artwork to The Hideaway the best. I was trying to work without using much linework – so it was a new challenge for me.
The Mermaid in the Millpond, written by Lucy Strange and illustrated by you, is being published in January by Barrington Stoke. Do you find it easier or harder when the words aren’t your own?
Both easier and harder. If I am illustrating my own ideas the vision of those illustrations is already in my head, and the excitement and the challenge is to get that across on paper. When I am illustrating someone else’s writing it is a joy to be able to bring to life the words, and to add atmosphere or understanding to what is being described. I love illustrating other people’s texts, especially if the art direction and design layout isn’t too prescriptive and I have a little bit of a free reign.
What are you reading at the moment and who would you recommend it to?
I am reading and re-reading Captain Rosalie by Timothee de Fombelle, illustrated by Isabelle Arsenault. I am recommending it to everyone I know, and buying copies of it to send to my friends. I think everyone who is 6 and over should read it. It is a beautiful piece of writing and Arsenault’s illustrations are absolutely stunning. Also by my bedside is While You’re Sleeping by Mick Jackson and John Broadley, and All Among the Barley by Melissa Harrison.
What might we see from you next?
I am working on developing a few collaborations at the moment which I am VERY excited about, but can’t say anything about yet.
The Hideaway by Pam Smy is published by Pavilion Books, out now, 14.99 hardback.
