Bearmouth

“Time down here is a diffrent thing see. Lyke on the other side you sees seesons change, leeves grow bold an grene an fayde to gold an red, then drop off and kirl up and disappear into snoe. But Bearmouth is black. Black an warm an dark an wet an full o coal. All days all weeks all year. Forever and ever. Amen. “

Newt has been living and working in Bearmouth from a tender age. Daily life in the mine is full of strict routine and a quiet acceptance of how things are – until, that is, Devlin arrives and starts to ask questions. Newt fears any unrest will bring heightened oppression from the Master and his overseers. Life is hard enough and there is no choice about that. Or is there? Newt is soon looking at Bearmouth with a fresh perspective – one that does more than whisper about change: one that is looking for a way out. 

Liz Hyder’s extraordinary debut novel draws on her research into the working conditions of children in Victorian mines and shows a young person daring to challenge the status quo. In Bearmouth, she has created an imagined world with its own dialect, riven with social injustice and populated by characters who don’t simply accept things because they are told they must.

Pushkin Press
Bearmouth by Liz Hyder, cover design by Yeti Lambregts

Bearmouth is Liz Hyder‘s debut novel, told through the voice of a young child trapped working in a mine, barely remembering life outside. It is both literally and figuratively dark, really dark, with some quite harrowing scenes, but also gripping, hopeful, and thought provoking. I read it in one sitting, taking a while to get used to the voice (Newt is writing it, with letters lessons slowly improving the spelling throughout) but then racing through to see what lies ahead for these wonderful (and wonderfully awful) characters. The conditions are terrible but also not unrealistic, the writing really does create the oppressive atmosphere of the tunnels and relentlessness of the workers’ lives, and the doubt sparked by the appearance of a new boy spirals quickly. Newt begins to question the way things are, whether it is actually blasphemous to want conditions to improve, whether it isn’t really the wishes of The Mayker that keep them underground…

Liz has written this piece for Teen Librarian, about the importance of rebellion and asking questions

My nan, my mum’s mum, who died when I was little, was famous for asking ‘who says?’ A tall, formidable woman with a mischievous grin and a fondness for doing impressions, she looks back at me like a mirror image from old photos. I strongly resemble her on the outside but I also think I’m like her on the inside too. Asking questions is always important and more so than ever in our era of fake news and auto-generated bots. ‘Who says?’ encourages us to ask why someone is saying something, what they might hope to get out of it and what vested interest they might have.

Newt, in my debut novel Bearmouth, is an asker of questions. Set down a Victorian-esque working coal mine in which the workers not only toil away in the dark but also live down there, Bearmouth is a world of danger. As Newt learns to read and write, the curiosity within also rises and Newt starts asking more questions. Why are things this way? Why, even if it has always been this way, should things continue like this? ‘Who says?’

The act of asking a question can, in itself, be an act of rebellion and is scattered throughout fairy tales and fiction as such. From the child in the crowd who asks why the Emperor is wearing no clothes to Oliver Twist asking for more, questions are, in themselves, powerful things and no-one uses questions more keenly than children and young people. Their thirst for knowledge, their willingness and desire to push at the edges of what is and isn’t allowed, what is and isn’t acceptable, is something that we as adults should perhaps look to a little more often.

Books open up other worlds. Whether they be real or fantastical, they allow us to explore ideas and themes through their pages. They allow us to travel across time and space, encountering characters that live and breathe, lingering on in our memories long after we’ve turned that last page. Books can inspire and enlighten us, make us snort with laughter, move us to tears and even fill us with courage. The books I read as a child and as a teenager – from Hunter Davies’s Flossie Teacake series and Michael Rosen’s Quick, Let’s Get Out of Here, to pretty much all of Paula Danziger’s witty novels featuring awkward teens – made me feel that I wasn’t alone, whether that was in my clumsiness or my creativity, in my sense of humour or in the way I viewed the world. Books encouraged me to be braver in myself, to think that I might be a person who could camp out in the wilds like in the Lone Pine adventures or have the bravery to stand up to sinister forces like in The Dark is Rising series. Books shaped my world, made me look at things around me differently, when I looked up from the page, my own world had tilted on its axis. The impossible became just a little bit more possible.

I hope that Bearmouth will make readers look at the world a little differently, to remember the real children that worked away for long hours in the Victorian mines, to remember that there are children right now working in mines in other countries around the world. Just because something is not visible does not mean that it does not exist…

I hope readers will come to view Newt as someone who, with courage, has the ability to inspire and to change things. I hope it helps readers realise they can make a difference themselves, they too can push for and encourage change. When I first started writing the novel, I hadn’t heard of Greta Thunberg but there is a line in the novel, the line that ended up on the front cover, in Newt’s somewhat unconventional spelling, that reoccurs and resonates throughout the story – ‘it only taykes one person to start a revolushun.’ It is an empowering thought and one that I hope will inspire those who read the book.

Liz Hyder, author of Bearmouth

Bearmouth by Liz Hyder is published in hardback by Pushkin Children’s Books on 19 September at £12.99

(thank you for sending Teen Librarian a copy for review!)

About Caroline Fielding

Chartered School Librarian, CILIP YLG London Chair, Bea-keeper

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