Category Archives: Poetry

Thank You Joseph Coelho

Tatenda says thank you every day, wherever he can. Thank you to Mom and Dad for making breakfast, thank you to the post lady for delivering his favorite comic, thank you to his teacher for marking his work and thank you to the shop worker stacking shelves. But lately, it seems no one can hear his thank yous: their heads are too foggy with worry. So Tatenda decides to say his biggest “Thank you” ever. He stands on tiptoe, brings his arms down like a huge rainbow . . . and this time, his thank you helps the whole community feel better!

Frances Lincoln Books
Thank You, with words by Joseph Coelho and pictures by Sam Usher

THANK YOU is a beautiful book. Joseph was inspired by the Clap for Carers during lockdown and royalties from the book are being donated to Groundwork UK, a federation of charities nationwide “mobilising practical community action on poverty and the environment”. Sam Usher’s illustrations are full of movement and so joyful, really bringing the words to life.

I’ve long loved Joseph Coelho, as a performer and writer, and when Frances Lincoln offered the chance to interview him about THANK YOU I jumped at the chance, while cheekily asking him about other recent titles with other publishers as well – he really is unstoppable at the moment!

The last few years have seen you publish poetry collections, novels, and picture books (as well as plays) for all ages of children and young people! When you have an idea, do you immediately know what you want to do with it or does the form come as you start writing?
What a super question. I don’t know immediately it’s a bit of trial and error, I have found however that if a story is deep enough it can often work for several mediums. Such as my poem If All The World Were Paper which was first published in Werewolf Club Rules but became a starting point for my picture book with Allison Colpoys If All The World Were...

THANK YOU is full of movement. Did you have an idea of how it should be illustrated or did you hand the text to Sam Usher to run with?
All picture books are really a collaboration between writer, illustrator, designer and editor so it’s hugely important that there is space for everyone to express themselves through the book. I am now in the habit of not thinking too much about the visuals, I focus on making sure the text works by itself, that the story is clear with or without illustrations so that the illustrator has scope to really put their mark on the book.

THE GIRL WHO BECAME A TREE, Otter Barry Books, is strikingly illustrated by Kate Milner

What is it about Daphne’s story that inspired you to write THE GIRL WHO BECAME A TREE?
I’ve always been interested in physical transformations as metaphor for internal change. It’s poetry made manifest. So when I came across the greek myth of Daphne it felt like the ideal subject for a story I’d been working on about a girl dealing with the death of her father. As with all the myths there are so many layers and ways to interpret that it felt like  a gift to explore through poetry.

ZOMBIERELLA is deliciously different, first of a 3 part series, but are there other fairy tales you would like to retell?
There are!  Book 2 is based on Rumplestiltskin and is called Frankenstiltskin. I have many ideas in development for many of the other tales some of which get a mention by the Librarian at the start of Zombierella who has discovered a section of the library full of fairytales that have gone bad, so I have a library to fill!

ZOMBIERELLA, Walker Books, is brilliantly illustrated by Freya Hartas

What is your favourite kind of event to do with/for children? How have you found digital events?
I love doing festival events with large audiences, you get a real sense of togetherness and occasion. I thrive off of getting large audiences to interact with each other.  I love the joy that can be generated as students hear their peers from different schools coming up with poetic lines or add to a group poem with people they’ve only just met.
Making everything digital has been interesting, it’s definitely far more time consuming than expected with even a five minute video taking the best part of a day but it is wonderful that we have this technology available to get us through these difficult periods.

Librarians across the country are so grateful for your enormous support, what drives that passion?
Libraries have always featured heavily in my life, from living on estates where I had a library next door, to my first Saturday job, to working at the British library whilst studying at UCL, to touring theatre shows designed to be performed in libraries. I’m immensely grateful to libraries and the services they provide for turning me into a reader and by association a writer. I also sincerely believe that library provision it key to helping communities thrive so it really is an honour to be in a position where I can celebrate these wonderful spaces.

One of my favourite pages from THANK YOU

What are you reading at the moment and who would you recommend it to?
I’m a serial dipper and always have several books on the go at present I’m reading Girl, Woman, Other by Bernadine Evaristo, a book that everyone should read. I’m also reading an anthology of short stories on the theme of the sea published by the British Library called From The Depths and Other Strange Tales Of The Sea Edited by Mike Ashley – Recommended for anyone who likes a shot of creepy adventure. I’m also a big book listener and am currently listening to Children Of Time By Adrian Tchaikovsky for all sci-fi fans who aren’t scared of spiders!

What can we expect from you next?
I have a busy year ahead with book 2 of Fairytales Gone Bad and some more picture books coming out. I’m also working on a brand new middle grade adventure series which is yet to be read by anyone! Eeeek! But I love this period because at the moment it’s just me telling a story to myself or rather hearing characters tell me their story.

Joe Coelho Portraits Hay Festival 2018

Joseph Coelho is an award winning poet and performer from London, although he now lives by the sea. In 2019 he won the Independent Bookshop Week Picture Book Award for If All the World Were. He has been long-listed for The Carnegie Children’s Award with his poetry collection ‘Overheard In A Tower Block’, which was also shortlisted for the CLPE CLiPPA Poetry Award and Longlisted for the UKLA Book Awards. He won the 2015 CLPE CLiPPA Poetry Award with his debut poetry collection Werewolf Club Rules. His debut Picture Book, Luna Loves Library Day was voted one of the nations favourite picture books by a survey led by World Book Day. His other poetry books include How To Write Poems and A Year Of Nature Poems

BAME Authors: Poetry

John Agard

https://literature.britishcouncil.org/writer/john-agard

Joseph Coelho

http://www.thepoetryofjosephcoelho.com

@PoetryJoe

Peter Kalu

http://www.peterkalu.com

@peterkalu

Stefan Mohamed

http://stefmo.co.uk/wp/

@stefmowords

Grace Nichols

https://www.poetryarchive.org/poet/grace-nichols

Benjamin Zephaniah

https://benjaminzephaniah.com

@BZephaniah

Clouds Cannot Cover Us

Clouds Cannot Cover Us: Poems by Jay Hulme

October will bring us this really powerful collection of poetry for teenagers, by young transgender poet Jay Hulme. Troika asked him to create a semi-autobiographical narrative, and included are reworked poems he wrote while at high school. He has said that when considering what to include he realised that what he’d wanted as a teenager, and what he wanted to give to teenagers, was the truth, and devised a two part story.

Being trans means that my life does feel almost like it comes in two halves. I have lived in this world as two people: The person I was before; angry, confused, violent, trying to find out what was wrong, trying to find my place in a world that didn’t want me. And the person I am now; proud, confident, at peace with myself, trying to forge a future to be proud of. With that in mind, I divided the book into two parts. The first half is filled with problems, anger, and confusion, and the poems in turn are often filled with industrial and urban imagery, dark, and claustrophobic. The second half is filled with hope, change, and growth – the poems here are often filled with natural imagery, they are lighter, softer, quieter – kinder.

Jay Hulme

No issue is out of bounds, anything he thought of as a teenager is included, some induce anger, some tears, some snorts of recognition, some a smile…and some all of the above. If I had to pick one favourite from each part, the one that made me stop and stare without moving on for a few minutes was his response to the Islamophobic attack at Christchurch earlier this year. That is towards the end of part 1, which is full of rage and sadness and despair at injustice. In part 2, possibly verging on soppy (which is very not me and yet it had me crying happy tears on a bus) is ‘Just the Small Things’ about the every day things that make you happy. Bonus mention though for ‘The Meaning of Stories’, which may resonate with many a reader, particularly I’d think readers of this blog (thank you so much Jay for letting me post it in full here):

THE MEANING OF STORIES


Perhaps it is true that none of my heroes exist,
summed up on a list entitled “fictional characters”.
My life lessons come from the mouths
of people paid to pretend they are someone they’re not,
but I can’t forget what they have taught me.


Because when words mean something, they stay,
no matter where they came from.
So who cares if I live my life by a line
issued from the mouth of Gandalf the Grey, on a film set,
it doesn’t mean it’s worth less than something
said by someone who actually existed.
Because attribution is overshadowed by meaning,
and the fact that these words stay with me
means more than the circumstances
under which they were uttered.


So if fiction is the foundation
on which I build my life, I can promise you
that my turrets will reach the sky,
before yours reach my dungeons.
Because fiction holds within it
the promise of a better world;
and I believe,
not just because I can,
but because I have to.

Jay Hulme
Jay Hulme

Jay Hulme is an award winning poet and performer from Leicester, Winner of Slambassadors 2015, and finalist in the 2016 Roundhouse Poetry Slam. He has recently branched out into children’s poetry, and his work was Highly Commended in the 2018 CLiPPA Awards. He also works as an ambassador for Inclusive Minds, promoting inclusion and diversity in children’s publishing, and doing sensitivity reads to ensure depictions of trans people in books are both accurate and unoffensive.

Thank you Jay for the pdf of Clouds Cannot Cover Us, coming soon from Troika.