Category Archives: Interviews

Entering the School for Good & Evil: An Interview with Soman Chainani

1. Hi Soman thank you for taking the time to be interviewed for Teen Librarian. For the first question would you please introduce yourself for the readers?

My pleasure! I’m Soman Chainani, the author of THE SCHOOL FOR GOOD & EVIL series and the writer of the upcoming film adaptations for Universal as well. I’m thrilled to be here at Teen Librarian to give you a little peek behind the scenes of the SGE world. I’m also a massive, massive Anglophile and worked in the British film and TV industry for years before I started work on the series. I’d live in London in a heartbeat if I didn’t have to fly to Los Angeles so often for film work.

2. School for Good & Evil is your first novel, everyone I have spoken to that has read it has been raving about it (in a good way) myself included – how does it feel to have such a rapturous response?

Any temporary ego boost is tempered by how hard I’m working on the second book in the series, called A WORLD WITHOUT PRINCES. Sequels tend to be disappointing, but I’ve always told myself that each book in the SGE series has to be better than the last – and wildly different — or there’s no point writing them. So I’ve been holed up in various rooms and coffee shops, writing like a madman. Even when I was in London for the UK tour, I’d spend half the day at a tea shop in Soho banging my head against the wall on a new chapter.

That said, I’m fully aware of how special and lucky this whole run has been so far. I had a list of goals I wanted to achieve by the end of the series – and they all happened in the first week! I stumbled around for a while, feeling like I was in a dream. Good news can sometimes be as disorienting as bad news. But now I’m happily back to work, abusing myself daily as to why I can’t write faster.

3. I have heard that the movie rights for SfG&E have been purchased – will you be involved in the adaptation?

I’m writing the adaptation for Universal with Malia Scotch Marmo (the writer of Hook). The movie will be very different from the book. For one thing, there’s just too much story in the book to fit into a two-hour movie. For another, a literal adaptation of a book can be quite dreary and repetitive. I’m much more interested in finding a new way to tell the story of Sophie and Agatha, so that the film feels like a new experience, even to lovers of the book.

4. On the surface, the story looks like your typical fairy tale of good and evil but once you get past the cover it challenges ones preconceptions of good and evil – what influences did you have in the writing of the story?

We didn’t have cable when I was young, so all we had was our rickety TV set and VHS tapes of every single Disney animated movie. Until age 8 or so, that was all I pretty much watched. Everything I learned about storytelling, I learned from Disney. When I went to college, though, I became fascinated by the gap between the original tales and these Disney revisions.

As a relentless student of the Grimms’ stories, what I loved about them was how unsafe the characters were. You could very well end up with wedding bells and an Ever After – or you could lose your tongue or be baked into a pie. There was no ‘warmth’ built into the narrator, no expectations of a happy ending. The thrill came from vicariously trying to survive the gingerbread house, the hook-handed captain, or the apple-carrying crone at the door – and relief upon survival. Somewhere in that gap between the Disney stories and the retellings, THE SCHOOL FOR GOOD AND EVIL was born.

In recent years, fairy tale mash-ups, retellings, and revisions have become popular – and for good reason, given how enduring and inspiring the source material is. That said, I had my sights set on something more primal: a new fairy tale, just as unleashed and unhinged as the old, that found the anxieties of today’s children. To acknowledge the past – the alumni of the genre, so to speak – and move on to a new class. As soon as I started thinking in those terms, I knew I wanted to do a school-based novel. I was walking in Regents Park in London before a meeting when I had the first image… a girl in pink and a girl in black falling into the wrong schools… I got so caught up thinking that I missed my appointment entirely.

5. There are some superficial comparisons to Hogwarts Harry Potter, but the School for Good and Evil is a much darker place – has your book faced any challenges yet or is it still too new to have popped up on outraged parents radars yet?

It is a much darker place – Hogwarts you choose to go to. You’re kidnapped to The School for Good and Evil and there’s no return. But encouragingly, I haven’t heard a single complaint about the book’s content. There’s certainly been commentary about its amoral universe and the intensity of what the kids have to face – but the course of the story seems to solve any concerns.

That said, there will be rumbles about Book 2. You’ll see.

6. Have the majority of your fans identified themselves as Evers or Nevers? and how would you describe yourself?
Hmm, good question. It’s been so evenly split! It’s quite amazing, really. Even when I go to schools, by the end, it’s a very clear 50-50.

I can be comically high maintenance (my friends joke Sophie is the real me), so I’d surely be an overachieving Ever and the most regular user of the Groom Room (the medieval spa, which only the top ranked students are allowed to use). That said, Evil’s classes have no boundaries – for sheer entertainment value alone, I can see the allure.
That’s if I had a choice. In the process of writing the book, I realized I wasn’t quite sure which school I would actually end up in– so I created an online assessment to answer that question. At, every reader can take a 10-question SGE Entrance Exam to determine whether they’re an Ever or a Never. I wrote all the questions myself and there’s a bank of over 100, so the questions change every time.
I’ve taken it a number of times, trying to be as honest as I can, and I always end up 75% Evil and 25% Good. Those who read the novel will agree that this isn’t a surprising result in the least.

7. Fairy tales were originally dark and bloody tales before they were tamed by the Grimm brothers and Charles Perrault (and later Walt Disney) and had most of the blood and death removed, your story returns to the roots of the tales were bad things happen to the deserving (those deserving of having bad things happen to them) – was this intentional returning to the roots of the stories and removing most of the sugar?

Absolutely. As I mentioned earlier, I just don’t quite understand why children of two hundred years ago could handle these frank and brutal stories of survival and cleverness – while children today must endure the sanitized versions. Frankly, I find the latter far more offensive and damaging. So in the School for Good and Evil, I point out this disparity. Once upon a time, Good and Evil were in pure balance. But now Good wins all the time, is obsessed with beauty, clothes, and superficial romance. The School itself has become Disneyfied and is trying to find its way back.

8. Finally do you have any plans for a sequel either involving Sophie and Agatha or staying with students at the School?

It’s a three-book series, so you’ll see what’s next. As for who’s in it… well that’s the question isn’t it!
Thanks for having me on your wonderful blog. SGE fans can join the jam-packed Facebook page, message me on Twitter at @somanchainani, and keep up with all things Good and Evil on


Win One of Five Copies of The School For Good & Evil!

Follow this link:
Take the exam and then comment on this post with your name and if you were determined to be Good or Evil. Winners will be chosen at random at the end of the month!

Talking about Half Lives: an Interview with Sara Grant

sara_grant_author_photoHI Sara, thank you so much for agreeing to be interviewed! For my first question would you be able to summarise Half Lives in 10 words? (if you can- more words can be used if necessary)

That’s a difficult challenge, but here goes…

Two stories of survival; separated by time but bound by a deadly secret.

Half Lives is two stories – one set at the end of our world as we know it and the second on the cusp of a new civilisation arising – how long did it take you to write the story?

The spark for the story came in November 2009 when my editor at Little, Brown sent me a link to an article on’s Culture Gabfest. The article was titled “Atomic Priesthoods, Thorn Landscapes, and Munchian Pictograms: How to communicate the dangers of nuclear waste to future civilizations.” It discussed how a US Department of Energy panel planned to label the site of an underground nuclear waste repository.

The topic may sound dull, but the more I thought about it, the more it fascinated me. Some types of nuclear waste are deadly for more than 10,000 years – that’s longer than the world’s oldest civilization. Who knows what the world will be like even a thousand years from now? What language will we speak? What symbols will have meaning? The article sparked something in my brain and I couldn’t stop thinking about it.

I developed the novel on and off from the moment I read that article in 2009. The more I wrote and researched, the more I found that I wanted to explore.

(If you want to read more about the article that started it all and the issues behind the story, you can visit my web site at:
Was it difficult keeping the protagonists voices separate?

The voices, settings and time periods were so different that keeping the stories separate in my head wasn’t difficult. Also I initially wrote the two stories in Half Lives as separate novels. Once I was sure the stories were satisfying on their own then I knitted them together, endeavouring to show the reader the complete story by withholding and revealing information in each narrative.

The idea of a culture and religion based around modern day youth slang and culture is brilliant – what inspired you to come up with that concept?

It’s an idea I’ve been kicking around for a long time, maybe even since the 1995 Joan Osborne song One of Us with the chorus, “What if God was one of us. Just a slob like one of us. Just a stranger on the bus, trying to make his way home.”

Until Half Lives, I hadn’t found the story that would allow me to explore these ideas. What’s more fascinating than religion? Not only organized religion but also the systems of belief, faith and superstition that everyone creates to make it through the day.

Half Lives as a title works on a number of levels – the stories of Icie and Beckett, their lives being trapped by fate and circumstance and the time it takes radioactive materials to decay. Did the title come first or did you have the story planned and written before you named it?

Half Lives was the title from the very first proposal and outline. That happens sometimes; the title comes as part of the initial spark.
halflives us
The covers of the British & American editions are very different – which one do you prefer?

I like both covers for different reasons. They both represent similar aspects of the novel. Both covers show the connected dark and light sides of the story. The US cover was designed to match the re-designed cover of my first teen novel Dark Parties. I must admit that my favourite detail appears on the UK cover; it’s a black cat sauntering across the ISBN bar code. (A black cat plays a significant role in the novel.) Details like this make me appreciate how much my publishers invest in and understand my work.

Did you have any involvement in the design?

I have two amazing publishers with fantastic art departments. They showed me initial designs, and I gave feedback, but they are responsible for the cover concept and design. I leave the visual art to the professionals.

The breakdown between Icie, Chaske, Tate and Marissa was as heart-breaking as it was inevitable – is it difficult to write scenes like this in your novels? I am aware that some authors have very public near breakdowns when talking about bad things happening to their characters.

Many scenes in Half Lives were difficult to write. If I’m heart broken when writing or upset or scared then that emotion often translates onto the page. Many scenes had to be written in layers. It’s easier to deepen difficult scenes over time rather than in one initial rush. I’m a planner so I know most of what will happen from the initial outline. But surprises happen along the way, and it can be devastating when you realize that something horrible must happen to one of your characters. Chaske surprised me the most in Half Lives. He was a mysterious character that revealed himself to me over the course of several drafts.

Was Half Lives written as a warning against the dangers of nuclear waste and weapons of mass destruction or was that just an added extra?

The novel sprang from an article about these issues so they were fundamental to the story from the very beginning. The more I researched about these topics the more unbelievable it became. Creating a substance that will be deadly for tens of thousands of years definitely seems like science fiction, something right out of a superhero comic book.

While reading the book I had no idea how you were going to bring the two strands of the story together separated as they were by time and culture. Did you start with the idea of how they would converge or did they converge together as you wrote?

I created a grid that outlined the plot points in the two novels and noted how and where they would intersect. The difficult aspect of this novel was that if I changed something in one story, I had to consider the ripple effect it would have in the other.

The Just Sayings that prefaced each chapter of Beckett’s story are brilliant – are there any plans to put them together and make them all available to the reading public?

That’s an interesting idea. I do have a bigger list of Just Sayings. I’m a bit obsessive about details like that so I have a grid that notes the origin of the Just Saying and where it appeared in the book. But my reference documents are sometimes only understandable to me. Maybe I’ll get that organized and post it on my web site. Thanks for the suggestion, Matt!

Finally – what are atomic priesthoods?

The phrase ‘atomic priesthoods’ comes from the article I mentioned that served as the spark for Half Lives. The article discussed how the US planned to mark the site of a nuclear waste repository and the conundrum of how you communicate with future generations that most likely won’t speak the same language we do nor understand the same symbols. Here’s the extract from the article:

“In the early 1980s, the semiotician and linguist Thomas Sebeok wrote a paper for the U.S. Office of Nuclear Waste Management titled “Communication Measures To Bridge Ten Millennia,” which proposes a folkloric relay system to pass along information: “The legend-and-ritual, as now envisaged, would be tantamount to laying a ‘false trail,’ meaning that the uninitiated will be steered away from the hazardous site for reasons other than the scientific knowledge of the possibility of radiation and its implications; essentially, the reason would be accumulated superstition to shun a certain area permanently.” Sebeok further suggested a Dan Brown-like “atomic priesthood” of physicists, anthropologists, semioticians and the like who would preserve the “truth.”
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This was one idea for how to warn away future generations from these deadly burial grounds with only a select few – so called atomic priests – who know the truth. Thankfully this wasn’t the final recommendation. Atomic Priesthoods sounds like a great name for a rock band though.

Thank you so much for taking the time to be interviewed!

You are very welcome, Matt! Thanks for reading Half Lives and being my first official interview on the book.

Cover2Cover Publisher Interview


Today, Teen Librarian is proud to host an interview with Dorothy Dyer, one of the founders of YA Publisher Cover2Cover

1. Globally publishing seems to be in a crisis and companies are merging for survival – why did you decide to start an independent publishing company?
Cover2Cover didn’t start to compete with existing companies. Cover2Cover started in order to get young South Africans reading, teens who have never really read for pleasure before. So we were wanting to create a whole new market!

2. How have young adult readers responded to these books?
fundzaWe have been absolutely overwhelmed by the responses of readers. We founded a literacy trust, FunDza, and as part of its work it distributes these books to schools and literacy organisations all over the country. Again and again we get rave reviews and accolades, with teachers saying they have never seen their students wanting to read like this before. I just have to quote some of our favourites, if you don’t mind..!

From a rural organisation in Kwa-Zulu Natal: The principal of Siyanda says the kids are so enthusiastic about the books that they are not even waiting to return them to the library before passing them on…She says she goes into the library now and finds kids sitting there in silence, engrossed in their reading – your books have started what we hope will be a revolution.
From a girls’ high school: I thought you would be interested to know that the books have been a huge ‘hit’ in our grade 9 bookclub . The girls are just so enjoying them. We just can’t keep up with the demand.

I think it’s incredibly powerful on all sorts of levels to recognise your life and world in a book, and for many of these students this is the first time it happens.When I do a reading aloud I can feel the ripples of excitement and recognition when there is local slang. It validates your world, to see it in a story, I think.

c2cA-shining-star-cover3. You currently publish Best Reads so far aimed at years 7,8 & 9 and The Harmony High series aimed at secondary school readers do you have plans for more series?
We are also publishing anthologies of short stories that were first published on FunDza Literacy Trust’s mobi-site – we’ve just brought out number 1. We are interested in creating new series – we have been discussing the idea of a series for 9 to 12, as we hear from literacy workers that there is a real gap here as well for contemporary local stories. Here though we would have to look at translation into local languages too to make the stories widely accessible.
Another project is trying to get our books much cheaper, and distributed in a different way. Currently books are expensive items available at bookstores. We dream to change that. We have seen that there are readers who enjoy the books. Now we need to get the books out there, possibly in a different format… watch this space!

c2cSugar-Daddy-Cover4. The books published by Cover2Cover focus on South African youth issues – do you think they would find readership outside of SA?
We have heard that readers in Malawi and Zimbabwe have enjoyed them. They are easy and exciting reads, and although are local, the stories deal with challenges that many teens face, so yes, I think the books could find readership elsewhere. They might be interesting to people out of the country because they also do give a picture of SA that is not always reflected in the news – ordinary people making meaning out of their lives in difficult circumstances.

5. I have seen conversations recently about a lack of people of colour (POC) on the covers of YA books Cover2Cover seems to be bucking this trend are you aware of other publishers putting out YA novels featuring POC on the cover?
Our mission is overt in getting our readers to recognise themselves in books, so we think it is very important that our cover models reflect the characters in the book. I have seen various incidences in this country and overseas where the white models on the outside are no reflection of the darker skinned characters inside the covers, and I think it is distressing that some publishers are prepared to sacrifice the integrity of the novel to get more sales, and seem to think that for this white faces – or rather beautiful white faces – are necessary.
6. Harmony High is described as a soap opera read for teens – do the stories have to be read in order or are the stories self-contained?
The books are all follow characters who attend one fictional township high school, Harmony High, and there is a vague chronological order. Broken Promises and Jealous in Jozi, for example, follow one particular character, Ntombi, whereas the other books focus on other characters, such as Sugar Daddy, which follows the story of one of Ntombi’s friends. But each book is carefully written so it can be a satisfying read on its own.

7. How many authors are working on the series and how can writers get involved in writing for Cover2Cover?
c2cFrom-boys-to-men-CoverThere is a little team of us – five in total. Ros and I are the puppet masters, or rather the conductors, who make sure the stories fit together etc. We also always test the stories in manuscript form on young readers, to make sure we’re getting things right.
Because it is a bit like a soapie, and does have to be carefully managed, we aren’t looking for anyone to join the team at this stage.

8. Are the books available internationally and if yes how can one get hold of them?
Hard copies can be ordered from us at We are also available on Amazon now, digitally.

Geekhood: Mission Improbable the Video Interview

A few weeks ago Laura of SisterSpooky, Kerrie from ReadandRepeat and I were invited by Stripes Publishers to interview author Andy Robb on his houseboat near Taplow.

Laura has a brilliant write up of what went on during the filming here: On the Boat with Andy Robb.
While we chatted we were painting Dark Angels Space Marines.


There are many like it, but this one is mine!

Andy is an excellent host and all-round geek and nice guy. We chatted for ages between filming; about comics (He showed off his Spiderman signed by Stan Lee) I drooled over his Batman/Joker Animated Adventures, Doctor Who and the literary merits of Terry Pratchett versus J.R.R. Tolkien (Andy is a die-hard Middle Earther while I tend more towards the Discworldian view). He played the voice of Kring the magic sword in The Colour of Magic.
The video was made to promote and celebrate the release of


Which is a sequel to:


Both of whom were written by:


The Batman?

Noooooooooooo not the Batman – although that would have been amazing!


They were actually written by BatmAndy Robb.
The last few photos were taken at the book launch, which was held at the Waterstones on Kensington High Street. The launch was fantastic with a number of people dressing up as comics characters (my favourites being Walter ‘Rorschach’ Kovacs and The Big Figure from Watchmen), I was too busy enjoying myself to take photos.

This is Andy and Cristina of Crisckracker Films who filmed the interview.

Important Note: Each of the bloggers has a unique coda at the end of their videos so be sure to watch them all!

Monster Odyssey: an Interview with Jon Mayhew

Teen Librarian is proud to feature an interview with Jon Mayhew, author of Mortlock, The Demon Collector, The Bonehill Curse and the soon to be published The Eye of Neptune, first book in the Monster Odyssey series.

monsteroddcover1. You have chosen a young Prince Dakkar – better known as Captain Nemo as the (anti?) hero of your story. Is there any particular reason you chose a pre-existing character in the public domain rather than creating someone new for the story?
I have a bit of a track record for using past works of literature as a springboard for my writing. The character of Sergeant Major Morris in The Bonehill Curse is taken from WW Jacobs’ story The Monkey’s Paw. I quite like imagining the characters before the events of a story and the best characters allow you to do that. I’ve always been fascinated by the character of Captain Nemo and so when Bloomsbury asked me to do an adventure series, he sprang to mind straight away. I wanted to write undersea and historical so inventing anew Captain Nemo, seems a bit pointless. There’s also the challenge of doing something new but something that has a ring of truth about it.
2. Obviously in his youth he was merely Prince Dakkar, will your series touch on how he became Nemo (no-one) and eventually refused to step on to inhabited land? Or is it going to be a swash-buckling tale of derring-do and adventure?
Both, I hope! What intrigues me about Nemo is that he had a past. It is referred to in Mysterious Island. He returns to India at the age of 30 and marries but becomes embroiled in the Indian Uprising of the 1850s. His wife and child die and he goes to an island with some compatriots and builds the Nautilus. But that doesn’t really explain how he knew how to build a submarine, or why he was so driven to save the oppressed or why he wept bitterly whenever he killed men. It didn’t tell us how he became educated, where he got his encyclopaedic knowledge of the sea or his love of Art from. I wanted to explore how his character forms. For example, he is obviously an inspiring leader, so in one book he may encounter famous generals, emperors and politicians of the time. It would be a shame to miss such an opportunity for swash-buckling tales of derring-do and adventure, though!
3. There is also (according to the Amazon page) a Girl but she is only referred to as ‘a Girl’ – is her identity going to be a surprise or can you share a bit more information with us?
She is a fictional character. Georgia Fulton, a niece of one of the other characters, she’s a fist-fighting, All-American girl who generally acts as a foil to Dakkar’s Princely pomposity. In other words, she punches his lights out when he gets too big-headed!
20kus4. I read 20,000 Leagues Under the Sea and The Mysterious Island when I was a youth and loved it (also the Disney Movie which I enjoyed as a child) and did not give the character any thought for years until I read Alan Moore’s The League of Extraordinary Gentlemen series. There is a Nemo graphic Novel by Alan Moore & Kevin O’Neill due out in February focusing on the captain‘s daughter. Have you read any of the works featuring Captain Nemo (apart from the Verne originals)?
dakkarThere is a lot of Nemo-inspired material out there! I loved the League of Extraordinary Gentlemen but wondered why Moore made him a Sikh. Dakkar would either be Hindu or more likely, Muslim. I’ve read a manga Captain Nemo which was great fun but I’ve avoided other texts. I also enjoyed the films and various cartoons that have popped up through the years.
5. Prince Dakkar was portrayed as being virulently anti-British and anti-imperialist in general, will your novels be showing how he became this way?
I hope so. It is interesting to look back at how Dakkar was portrayed because in early English translations, he came to England to improve his country, in American translations of the time, he came to ‘learn the ways of his oppressors.’ In the original versions of Verne’s books, Dakkar was Polish and hated Russia. This was quickly changed when France and Russia became close allies. All fascinating and the reason why MY Prince Dakkar is mentored by a Polish nobleman in exile from his home country!
6. Apart from Prince Dakkar will any other literary characters be making an appearance in the series?
Probably not literary characters but certainly historical characters from the time I have set the books. So in Book one, Dakkar meets Jean Lafitte, notable American/French pirate, he meets Robert Fulton, real inventor of the first Nautilus submarine. In the second book, Napoleon crops up amongst others!
7. You are currently working on a sequel to Monster Odyssey, will this series be finite in length or is it going to be more open-ended?
As open-ended as possible! I have an ending in mind and a broad character arc for Dakkar but anything could happen on the way!
8. How much research went in to developing the story?
Obviously, I needed to reread the originals and then it’s a question of interrogating the year I set the first book. Dates and chronology proved tricky as there were inaccuracies in the originals which I discuss here: It also involves reading around certain key events such as the Battle of Waterloo and getting a feel for that time. Verne wrote speculatively at the time but he pinned a lot of his work down with what he believed to be scientific fact. The beauty of writing in Verne’s world is that you have an essentially recognisable world but tinges of fantasy. A good example of this would be the fact that Verne thought it plausible that undersea craft could survive much deeper below the sea than we now know is possible. So we can go deeper.
Thank you for taking the time to answer these questions
Thank you for asking!

YA in SA Author interview: Joanne Macgregor

turtlewalkhi Joanne thank you so much for agreeing to be interviewed! Can I ask you to introduce yourself for the audience please?

Hi Matt, thanks for having me to “chat” to all your wonderful, bookish readers!
I’m a born and bred Joburger and have lived here among the Hadedahs and mine-dumps all my life. Johannesburg isn’t a beautiful city – though we have fabulous trees – but there’s something about the vibe and the pace that’s exciting. Or maybe we all just have altitude sickness!
After I finished school, I trained as a high school English teacher and I loved doing that for a while. I must confess that in my early days, I did a lot of things “for a while”. I have done IT training, business consulting with one of the Big Four consultancies (awful job!), been a general factotum in a children’s theatre, answered phones, arranged flowers, done in-store demonstrations of cooking frozen vegetables (almost as bad as business consulting!) and, once, I had a job handing out helium balloons in a shopping mall, while wearing a bathing suit and high heels. One day, I will write a book – a tragi-comedy – called “Jobs I have done”. Along the way I collected a fistful of degrees and for the last 15 years, I have practised as a Counselling Psychologist, dealing primarily with victims of crime and trauma. It’s tough work and my brain escapes by dreaming up stories when I’m not in my consulting rooms.
The first book I wrote was a biography of the sole survivor of the 2003 “Sizzlers Massacre” of nine men working in a Cape Town massage parlour. Although it was never published, I learned an enormous amount about writing and that gave me the confidence to begin writing books that have, thankfully, been published.

Your new novel Rock Steady has just been released – it is your second book for young adults and a sequel to Turtle Walk, can you tell us something about the series?rocksteady
Rock Steady is the second in the series that began with Turtle Walk. Although it’s a sequel, it reads just fine as a stand-alone novel.
My inspiration was a desire to write something different to the books I saw on the YA bookshelves at local book stores – books written almost exclusively by foreign authors, set in Europe or the US, telling stories very often based in fantasy, with a preponderance of male protagonists and feeble girl sidekicks who served as loyal friends, victims to be rescued, or passive foils to the boy’s actions. With this series, I wanted to write realistic fiction (a break from wings and wands and fangs), telling South African stories set in our beautiful country, with smart, funny, resourceful, kick-ass heroines. In short, the kind of books I’d love my teen daughter and her friends to read. The feedback on that score has been amazing!
In each book, the protagonists tackle some broadly ecological issue. In Turtle Walk it was illegal long-line fishing which decimates Leatherback Turtle populations, in Rock Steady it’s the illegal trade in San Rock Art. Of course, back at school, the eco-warriors have to deal with the usual teen issues – first love, parental pressure, really mean teachers, etc. Sam, the main character, also suffers from anxiety and it’s been fun to explore that a bit more deeply in this book. The main characters are female, but the books aren’t “girly” and there’s lots to interest boy readers.

Rock Steady and Turtle Walk have both been published by Protea Boekhuis in South Africa, do you have any plans for international publication?
Turtle Walk was picked up by international distributors and is available on and Hopefully Rock Steady will follow suit. I think it’s safe to say that most South African authors have plans for international publication. We have such a small book-buying public here that in order to make a living from writing, you do need to adapt your writing style and projects for the international market.

Are you planning on writing more stories about Samantha Steadman and the eco-warriors?
One of these days, I have to begin writing the third in the series. I’m thinking of having my eco-warriors go head-to head with fracking in the next one. And it may be Jessie’s turn to come off the rails!

Did you make a conscious decision to write for a teen audience?
For this series, yes, though I like to write what I would like to read, and I love reading YA books. I don’t think there were very many of them around when I grew up (we seemed to go from Enid Blyton straight to Wilbur Smith), so maybe I’m indulging in a second adolescence!
I have also written two books for younger middle grade readers (Jemima Jones and the Great Bear Adventure, and Jemima Jones and the Revolving Door of Doom, both of which are available as ebooks) as well as an adult novel. But I really enjoy writing in the YA “voice”. There’s a lot to like about YA fiction as a writer. It’s very direct, raw and emotional, there’s not too much in the way of flowery, literary descriptions, and there’s always room for writing with humour – which seems to be my style. So though I don’t want to be locked into writing one genre only, I’m very comfortable in the YA zone.

What is your favourite part of the writing process?
I think it’s that the work is so varied that even I can’t get bored. There’s a rhythm to getting the idea, fleshing it out in pleasant daydreams, getting it down on paper, editing and rewriting, and these days, of course, marketing, but it’s never the same. Each new book is like a new baby, and you can’t quite be sure what it might become!

Were you a reader as a teen and did you have any favourite authors?
I was a reader as a foetus! Seriously, ever since I could read, I’ve read everything that would stand still long enough, be it the classics, trashy novels, or the back of the cornflake box. I loved it all –from the minute microcosm of Jane Austen’s world to John Steinbeck’s spare style; from the rollicking romances of bodice-rippers to the detailed excellence of PD James. I read, and always have, every genre except high fantasy and science fiction – I think I must lack the imagination to see other worlds, because I don’t think I could write those genres either. I suspect I might be a low-brow, because I generally prefer gripping stories and authentic characters to literary fiction.

Can you recommend any other YA writers (from SA or international)?
Oh, wow, where to begin? In South Africa, Jayne Bauling, Edyth Bulbring, S.A Partridge, Kabelo Kgatea, John van de Ruit and Christine Porter, among dozens of others. Internationally, the usual suspects: John Green, Suzanne Collins, Veronica Roth and, of course, Jo Rowling, but also Gwen Hayes, Lauren Oliver, Stephanie Perkins and Australia’s Melina Marchetta. I’ve just finished “Poison Princess” by Kresley Cole and thought it was fabulous.

Are any of your novels based on personal experiences?
I’m a real magpie, collecting images, experiences and words – especially words. Sooner or later, everything I’ve ever heard or seen or felt or experienced winds its way into my books. Of course, it gets transmuted through the experience of my characters in the alchemy of the writing process. In Rock Steady, Samantha is tormented by a really sick teacher, and that is based, in part, on a miserable experience I had at school. I also use my kids shamelessly – stealing their jokes and teen-talk. The only exception to my general thievery is in my psychological practice – what my clients tell me there, I treat in strictest confidence. What happens in therapy, stays in therapy.

Are you working on anything new at the moment or do you have anything planned for the near future?
At the moment, I’m writing a YA romance, and I’m loving it! It’s based on a contemporary (and non-fantasy) retelling of a classic fairy-tale. I’m a bit superstitious of saying more about it, though, in case I jinx it. My psychological thriller for adults, Dark Whispers, is scheduled for publication next year. Writing that book, which was based on a newspaper article I read, scared the pants off me, and it definitely won’t be one for my YA readers.

Do you ever visit school or library reading groups either in person or virtually via Skype? If you do what is the best way to contact you about a visit?
I love visiting schools and talking directly to teens – I want to get as many young people as possible addicted to reading! I’ve done school visits in Johannesburg and Cape Town and would definitely be available to speak to groups via Skype. I do talks on my specific books, as well as on the broader writing process and the ecological issues tackled in my eco-warrior series.
I’ll be part of the children’s programme at the Franschhoek Literary Festival again this year, and will be visiting Durban in July as a guest at the Kids Lit Quiz international finals. I’d love to chat to readers and schools outside of South Africa. Travelling is always a possibility as, like many South Africans, I have family in London and Atlanta. The best way to reach me is probably via twitter @JoanneMacg or via the contact form on my website

YA in SA: Author Interview with Edyth Bulbring

april-may1. Hi Edyth thank you for agreeing to be interviewed, for the benefit of those who have not come across your books before could you please introduce yourself?

Hi Matt, thanks so much for interviewing me on your blog. I was born in Boksburg (near Johannesburg) and spent 17 years growing up in Port Elizabeth, which is a very windy city on the coast of South Africa. I never wanted to be a writer, I wanted to be an airhostess and travel the world. But in the days when I was young you had to be very tall and very pretty to be an air hostess. I was neither. So I went to university in Cape Town and studied history and politics. I also edited the university newspaper and got a part time job as a switchboard operator at a weekly newspaper. But I was useless at it so they let me write a few stories. I ended up being the political correspondent for the South African Sunday Times from 1991–1995 (where I had the privilege of covering the transition to democracy). I then went and did an MBA at the University of Witwatersrand, where I learned that I don’t have a strong profit motive. Ten years ago I chucked in the full-time job at the Sunday Times and decided to stay at home and look after my three children and try and write books (for which you certainly cannot have any profit motive). The first book I wrote was for my children. And when no one wanted to publish it, I wrote a few more books. And then they all got published which was a bit of a relief.

I live in Johannesburg which is a brilliant city with the best weather in the world. I have published six books in South Africa. The Club, which was published by Jonathan Ball Publishers in September 2008, and five young adult novels: The Summer of Toffie and Grummer (Oxford University Press, February 2008); Cornelia Button and the Globe of Gamagion (Jacana, April 2008); Pops and The Nearly Dead (Penguin, March 2010); Melly, Mrs Ho and Me (Penguin, September 2010) and Melly, Fatty and Me (Penguin, September 2011).

2. You have written books for adults (The Club), tweens (Cornelia Button) as well as Teen readers (Pops and the Nearly Dead & A Month with April-May), do you have any preferences for writing for a particular age range?

I don’t usually write with any audience in mind. I simply tell the story I want to tell. I like writing books from the perspective of young people. Teenagers are interesting people and their take on life fascinates me. I think they tend to be more honest than adults. And their observations on life and society tend to be less muted and constrained by convention.

I think A Month with April-May and its sequel 100 Days of April-May would be enjoyed by teenage readers, but one of my other books, Pops and the Nearly Dead, is one of those cross-over books that appeals equally to adults and teenagers. I like the fact that it’s the kind of book that builds a bridge between the generations and makes people realise that the only thing that separates old people from young people is a couple of years. When I set out to write The Club and The Summer of Toffie and Grummer I didn’t have any market in mind. I didn’t give it any thought. I just wanted to write a good story that would capture the imaginations of people who like to read books. And then these books got buffed and tweaked in later drafts when the publishers decided where they wanted to position them. Although The Club was pitched (by the publishers) at an adult market, a lot of teens have read it and it grew a bit of a cult status among teen readers. The only book that I specifically meant for children (aged about 9–12) was Cornelia Button and the Globe of Gamagion. I wrote it for my three children and I think it’s very much a children’s book. And unlike my others books, I have met very few adults who have actually enjoyed it. Which I think is fine, because I never wanted them to.

3. Is A Month with April-May your first novel to be picked up by an international publisher?

Yes, Hot Key Books is publishing A Month with April-May in February 2013 and the sequel, 100 Days of April-May in September 2013. There is also a third book which will be published next year that is not part of the April-May series. The two April-May books are also being published by Bayard in France next year.

4. The original title for A Month With April-May was Melly, Mrs Ho and Me. Apart from the title were any other changes made when you were published by Hot Key Books?

I was very lucky to have an amazing editor in South Africa called James Woodhouse who edited the two April-May books. I loved working with him and I think Hot Key Books were really happy with the edit he did. So very few changes were made to the text except for a couple of words that were either South African slang, or too foreign for a UK reader to understand. We either made it clear in the sentence what the word meant, or we changed the word to one with which a UK reader would be more familiar. We also have a glossary at the back just in case the reader wants to check that his/her understanding of the word is correct.

5. How were you discovered by Hot Key Books?

I have an agent called Tina Betts from Andrew Mann in the UK. And she got me discovered by Hot Key. Tina has been really amazing. She kept the faith with me and persevered, even when things looked pretty bleak and I had almost given up hope of ever being published outside of South Africa.

6. What is your opinion on the state of YA writing in South Africa?

There are lots of brilliant YA authors in South Africa, but, like the rest of fiction, the book buying market isn’t great: we are competing with the big titles from the UK and America that also have big marketing budgets behind them.

But there is an exciting project in South Africa which started a couple of years back to try and get young people reading, especially young teens from low income communities who haven’t had exposure to the culture of reading for pleasure. The project is called FunDza Literacy Trust and it publishes local material by great local writers on an accessible app on a cellphone – and nearly all teens in South Africa have access to cellphones. The stories are high interest, lots of drama, and a new chapter is loaded each day, in the proud tradition of Dickens’ penny dreadfuls. There are also full books available on the site. So far, more than 350 000 users have registered, which is amazing considering that a bestseller in South Africa is a book that sells about 3000 copies.

The publisher that founded FunDza, Cover2Cover Books, has a Harmony High series aimed at the same target market. The books follow the lives, loves and challenges of a group of teens at a fictional township high school. The books are written by a small collective. Some titles give you the idea of the content: Sugar Daddy, Too Young to Die, Two-faced Friends, Broken Promises. FunDza distributes these books to schools and literacy organisations and they are having rave reviews, with teachers reporting that they had never seen kids reading like this before. These are, hopefully, the gateway to broader reading pleasure as young people realise that reading can be meaningful, and so can go on to enjoy the more challenging local writers who are producing some really interesting books.

7. Did you have any favourite authors when you were a teen?

I read everything I could lay my hands on and never really took note of who was writing them. I read all my mother’s and sisters’ library books. I read lots of trashy books and some good books too. I was a bit of a glutton. The children’s books I really liked were written by Enid Blyton, Willard Price and I liked the Katy books by Susan Coolidge. I loved Anne of Green Gables (Lucy Montgomery) and I have tried to get my daughters to read it and they have refused. It breaks my heart.

But the one author I admired as a teen and still go back to is Jane Austen. She never disappoints. I enjoy her irony and her sense of empathy. And her long sentences. I wish I could write long, complicated, grammatically perfect sentences. But apart from Jane Austen, there is one author who I esteem above all others for writing the best book ever written for both adults and teens: Harper Lee (who only ever published one book and got it right the first time). Whenever I see To Kill a Mocking Bird in charity shops, I buy it. I have about thirty copies and I’m going to keep on buying it. She inspires me to keep on writing until I get it right.

8. Who is your favourite young adult writer (local and international)?

I don’t read young adult fiction unless I have to. I know that sounds a bit mad, but I don’t want to be influenced by what other young adult writers are writing. And it would make me nervous. But the one author I really like who writes for both adults and teens is Philip Pullman. I loved His Dark Materials Trilogy. They are cross-over books which I think are the best sort of novels. I also like Roald Dahl. I didn’t mind reading his books to my children too much when they were young.

9. Are any of your novels based on personal experiences?

Most of the ideas of my books come from things I have heard or experienced. With A Month with April-May, a couple of years back, my daughter was going through a rough spot. She didn’t want to go to school, she was sleeping a lot, and her grades were dropping. I finally figured out that she was having a bad time with one of her teachers. And knowing my daughter, the teacher was probably having a rotten time of it too. It got me thinking about the effect that one teacher can have on the life of a child. And how teachers have the ability to make or break pupils – and vice versa. It also got me wondering about the miscommunication that happens between people and how sometimes it sets us off on a course of action we can’t stop, even when things are heading for a train smash. So I decided to write about a teacher and a student who butted heads and things got out of hand. In my daughter’s case, things didn’t end happily. Writing this book was a way of turning things around and giving the story a different ending. There are aspects of Pops & the Nearly Dead which are based on real life characters and events. About six years ago my parents moved into a retirement village in Port Elizabeth and a few months later my father died. In the years that followed his death, my mother and I would talk about the people and goings-on at her retirement village – and of course we would talk about my father. We would knit – she was teaching me how to knit a blanket for my daughter – and talk and sometimes cry, and then I would write a chapter. And so, over the years, Pops & the Nearly Dead grew into a book. A lot of the book comes from true stories about my mother’s retirement village and a number of the characters are based on real people. But I took a lot of these events and turned them on their head and asked “What if?” and “Why not?” I enjoyed being able to take real people and events and give them different histories and endings. In a sense, I loved the fact that I had the power to rewrite history and make it all better.

10. What is your favourite part of the writing process?

I think it is when I have completed the first draft. I try and write the first draft of my books really fast. Because I’m not one of those disciplined writers who plan and have an outline of a book. So I lurch from chapter to chapter, never quite sure how one will end and the next will begin. I go a bit loopy in the process, sort of in a bit of a panic as to what comes next. And so of course, I drive my family a bit mental. So I need to finish the manuscript quickly before things completely unravel. I can’t afford to indulge in writer’s block because then it would make the whole first-draft process longer and more agonizing for everybody. But when I do hit a snag I go walking. Walking always sharpens the mind and makes you alert to all sorts of possibilities – like breaking your leg by falling down the holes left by the skollies who nick the water metre covers to sell for scrap metal. I also wander around my garden a lot and read newspapers. I love newspapers. There are always a hundred possible books in every newspaper, and usually I’ll read something that removes the snag and allows me to carry on writing. I find writing is a bit like running a marathon. It’s very hard work and the first and last few chapters are the worst. So I really like it when the first draft is written and I can go back to it feeling less crazy and start to flesh it out.

11. Do you ever visit schools or libraries in South Africa and have you considered Skype visits for international virtual visits and if you answer yes to either of those questions what is the best way to get into contact with you to arrange visits?

I have visited a lot of schools in South Africa and I like doing it. I enjoy hearing what young people are thinking and I find it really rewarding. But the idea of Skype scares the skin off me. I tried to do it once and I felt really weird. I think I’m a bit digitally challenged. But also I think I like to feel connected to people and Skype made me feel isolated. But if any school in the UK wants me to come and visit in all my fleshiness, I would love to do that. I can be contacted on facebook, or at my email address edythbulbring @

12. Do you have any future titles coming out from Hot Key Books?

There is a third book that Hot Key Books is publishing next year which is not part of the April-May series. It was initially published by Oxford University Press (SA) in 2008 and it is called The Summer of Toffie and Grummer. It is the first book that I got published so it is very dear to my heart. I wrote it for my mother and it’s about a girl who tries to find a boyfriend for her widowed grandmother. I think Hot Key Books is going to change the title, which is fine by me because they come up with great titles. My experience with Hot Key Books has been brilliant and I really feel like I have found a home for my books with them in the UK.

C.J. Redwine – the Defiance Interview

Hi C.J. Welcome to the Teen Librarian Interview! Thank you for agreeing to participate.

1. The first question I always ask of an author is to please introduce themselves for the audience (for those that may not know who you are)

I’m C.J. Redwine, and I write fantasy adventure books for teens. I love lemon bars, my kids, going to the movies, and llamas. You can bribe me to do just about anything simply by promising me Johnny Depp.

2. When I started reading I thought that Defiance was going to be a quest-based fantasy novel, but then it morphed into a post-apocalyptic sci-fi adventure with anti-patriarchal/feminist overtones. How would you describe your novel?

It morphed on me while I was writing it! I describe it as a post-apocalyptic fantasy adventure. But yes, it has a pinch of everything you mentioned.

3. Some of the best science-fiction has had a strong feminist slant (The Handmaids Tale being one of the best known) was your work influenced by any other stories or authors?

I’m very drawn to fantasy stories where the heroine is a) strong and capable, b) respected as an equal by the hero and c) isn’t dressed in a bra and high-heeled boots because let’s be honest—I love high-heeled boots as much as the next girl, but I’d break my neck in them if I tried to fight off an army. I wanted to write a story where I pushed the idea of keeping women in their place to an extreme and then provided an example of how protecting a girl by giving her the tools to protect herself and by respecting her intelligence and inner strength could up-end the entire system. My writing was inspired in bits and pieces by MANY other works I’ve read (shout out to Collins, Pierce, Carson, and Cashore to name a few).

4. Another novel that I was reminded of although only tangentially was Lord of the Rings when the party entered Moria and it was mentioned that the Dwarves had delved too deeply and woken an ancient Terror – the Balrog, but your Cursed One is more dragon than demon. Is the Cursed One a thing of science or something other?

The Cursed One is a Leviathon-like lizard, so he’s science instead of magic, but I am a LOTR girl from way back and I couldn’t resist the “they delved too deep” reference.

5. Another of the themes I noticed in the book was that decisions led to consequences that were often quite unpleasant for the protagonists and their friends and loved ones. Often in stories I have read, authors shy away from explicitly showing the things that can result from the best of intentions, but not you -was this intentional?

Very intentional. All actions have consequences, and sometimes the hardest part of doing the right thing is living with those consequences afterward. I believe in a truly epic story, the victory should cost almost as much as failure would. And I wanted to be realistic. Sometimes we make stupid choices for excellent reasons, and we can’t let that break us down forever. One of the journeys in this trilogy is understanding how to heal from the things that shatter us.

6. I am hoping that Defiance will be followed by more tales in the world that you have created, with explorations of other city-states, the wasteland and enlarging on the history of the discovery of the Cursed One. Do you have an epic planned?

This is a trilogy, so there will be two more books. We’ll get to explore a few of the other city-states, more of the secondary characters, and more of
the history of the world.

7. Were you a reader as a teen, and if you were what authors caught and fed your imagination?

I’ve been a voracious reader since the second grade. As a teen, I read C.S. Lewis, Tolkien, Terry Brooks, and every classic I could get my hands on.

8. Do you ever visit schools and libraries either in person or via Skype? If yes what is the best way to get in touch with you about organising a visit?

I do school visits locally, and am happy to work to set up a Skype visit. You can contact my publicist Caroline Sun at

9. Apart from works based in the Defiance world do you have any other stories that you are working on?

I do! I have a few things on the back burner of my brain right now. More speculative fiction (fantasy/post-apoc), a paranormal, and a fairy-tale retelling.

Thank you for your time in answering these questions!

YA in SA: Author Interview with Nic Bennett

1. Hi Nic, welcome to the YA in SA interviews would you like to introduce yourself for the audience?
Hi Matt. Yeah. Sure. I’m an Englishman abroad, living in South Africa. I spent most of my chlldhood in Africa, in Ghana, Nigeria, Botswana and Zimbabwe, and seven years ago I moved to Cape Town with my family. It was supposed to be for three years, but we’ve stayed. You meet a lot of people who came to South Africa twenty or thirty years ago for three years. It does that to you.

2. Dead Cat Bounce is your first novel, what inspired you to write for the YA market?
The idea came from the financial and economic crisis that kicked off in 2008 and is reverberating around the world at present. When I started the book, banks were failing, investors were bailing and financial markets were on a roller coaster ride to oblivion. Sad to say, I was enthralled and took a year off work to see if I could translate my grim excitement into the words of a novel. I knew that many others would be doing the same, so I decided to choose a different route and write my story for the generation who will pay the costs of this ‘Great Recession.’ Unemployment amongst 18-25 year olds is at record levels around the world, and the last time things were as bad as this, the Great Depression of the 1930s, it only ended with the Second World War. It’s a big one.

3. Why did you decide on setting a YA thriller in the world of international high finance?
Partly because nobody has tried to do it before. It’s a new world in which to set a YA thriller. On the face of it finance is arcane and dull. But once you get into the people and the emotions that drive it, you find a high-octane mix of the seven deadly sins, and more. A bank’s trading floor is a lot like school. There are the bullies and the nerds; the heroes and the hipsters; the jokers and idiots. It’s full of nicknames and pranks; arguments and fights; success and failure. The difference is that on a trading floor, only one thing matters: MONEY. Who can make the most MONEY. And where there’s money there is fear and greed; deceit and vanity; lust and envy; power and corruption. Wrap that up in a good conspiracy, throw in a bit of Africa, and I’m hoping that it will be something that people will enjoy.

4. How high can a dead cat bounce, and what does the phrase mean?
First, I must be clear that no cats were hurt in the writing of this book! Dead Cat Bounce is a financial market term. It refers to a situation where markets are falling. One day they might go up, but then quickly start falling further again. That upturn is called a Dead Cat Bounce, because ‘even a dead cat bounces when you drop it on the ground.’

5. How would you describe Dead Cat Bounce in one sentence?
It’s a ripsnorter.

6. DCB is being published by Penguin Razorbill, most SA authors I have spoken to recently were published locally before reaching an international audience. How did you break through to an international publishing imprint?
Luck, luck and more luck. I sent it out to a number of literary agents in the UK, because of the subject matter, one of whom took me on. Penguin in London liked the look of it, passed it on to their colleagues in New York who said ‘Mine!’ They see it as an extension for people who enjoyed the Alex Rider books.

7. What authors grabbed your attention when you were a teen reader, and were you a reader in your teen years?
I was a huge reader as a teen, but there wasn’t a clearly defined teen genre as such. I remember my Mum giving me a copy of Force 10 to Navarone by Alastair Maclean when I was about 13. I remember being surprised that I could enjoy an adult book and from thereon I was into thrillers – Ian Fleming’s James Bond, Robert Ludlum’s Jason Bourne and Wilbur Smith’s Sean Courtney being my heroes. At the same time I had an English teacher at school who forsook the Victorian English classics and pushed us into Steinbeck, Hemingway, Orwell, Graham Greene et al. And finally there was PG Wodehouse, the greatest comic writer of them all (IMO).

8. How would you describe the South African YA market?
Vibrant. I’m new to it, but the very nature of South Africa means that there are a different set of perceptions that influence the storytelling and subject matter.

9. You are currently working on a sequel called Black Swan Down, is that another phrase from the trading floor?It is. A Black Swan event is something that’s not supposed to happen. For a thousand years or more, people had only ever seen white swans. There was no such thing as a black swan. There couldn’t be. And then Australia was discovered. When a black swan event occurs in the financial markets, things go crazy. An example would be 9/11.

10. How far will Jonah Lightbody’s journey take him? Is his tale going to be told over an on-going series or do you have other protagonists in mind for future books?
I guess we’ll have to see how people take to the first two books. It they like those, then I have the material to take it further.

11. Will you be visiting schools and libraries in SA and abroad (via Skype) to publicise Dead Cat Bounce and if yes what is the best way to contact you to organise a visit?
Definitely. Find me on the Dead Cat Bounce Facebook page or Twitter as nictheauthor.

YA in SA: the Author Interviews: Jayne Bauling

1. Hi Jayne, as has been customary in my YAinSA author interviews to date, I ask all the authors I have spoken to to introduce themselves to the audience and I am hoping that you will do the same!

Thanks, Matt, and thanks to Louis Greenberg for suggesting me for your YA in SA series. I’m a full-time writer and have been living in White River in the Mpumalanga lowveld for the last few years, following a move from my home city of Johannesburg.

2. You had close to 20 adult novels published before you started writing YA fiction, why did you choose to write for a younger age range?

The type of adult novels I was writing – romance – can become repetitive. Romance was never meant to be the whole story anyway, but it became a bit of a comfort zone, difficult to get out of. The move from Johannesburg turned out to be conducive to all sorts of other changes, and I started exploring new writing directions. The YA began almost as an impulse – I wondered if it was something I could do, and decided to give it a try. I was surprised by how much I enjoyed writing about teen characters and their issues.

3. Looking at the awards you have won it looks like it was a good decision – E Eights won the 2009 Macmillan Writer’s Prize for Africa, Stepping Solo was awarded the 2011 Maskew Miller Longman literature award for novels in English and you have had novels short-listed for the golden Baobab and the Sanlam Prizes. Does being an award-winning YA author put you under pressure to produce or can you ignore the pressure and just write?
The awards have their upside in boosting my confidence as a writer. The downside is a degree of anxiety about whether I can continue to get it right, but I try to ignore that and just get on with the next book, because once I get into the writing I forget the anxiety – at least until it’s time to submit!

4. Your short story Dineo 658 MP won the Maskew Miller Longman Silver Medal in 2009, do you think that short stories for YA readers are well-received or should they be given more exposure?

I think that with greater exposure, they’d be highly popular. Young adults’ lives are hectic, so dipping into a collection of short stories, whether in print or online, when time permits might be preferable to reading a full-length novel for some. It’s difficult to get YA short fiction placed. Another South African YA author and I have tentatively discussed an anthology featuring short stories from southern or possibly all African countries.

5. Do you still write for the adult readers or do you focus exclusively on the YA market?

At present, the only fiction I’m writing for adults is short stories, but that could change.

6. I see that you are also a poet, have you had any poetic works published as yet?

So far I’ve only had poetry published in print and online literary journals, and in three of the annual Breaking the Silence anthologies brought out by People Opposing Women Abuse.


7. What is your favourite part of the writing process?

I love it when I reach the stage of being truly immersed in the first draft of a novel – when my characters start surprising me, and things happen that I haven’t planned.

8. What do you think about the state of YA publishing in South Africa?

I think it’s increasingly exciting. There are more and more successful YA authors out there, and it’s a wonderfully supportive community.

9. Have you had much feedback from teen readers? What have their thoughts been about your writing?

Feedback has been good. The readers seem to appreciate that I keep my characters’ personal stories absolutely central even if I’m writing about the contemporary social issues affecting young people.

10. Do you ever visit schools or libraries in South Africa and have you considered Skype for international virtual visits and if you answer yes to either of those questions what is the best way to get into contact with you to arrange visits?

I enjoy the interaction I have with teens at a local school and would love to do school visits further afield. I have in fact just recently learned that I will be asked to do some, possibly early next year. People can contact me via Facebook or Twitter @JayneBauling, through my various publishers or by email to jayne_mb(at)

11. Are you currently working on anything new or do you have anything planned for the near future?

The next YA novel is at the research stage, but because I believe in writing every day, I’m also busy with a few adult short stories.